Violin Concerto in G major, Op. 4 No. 3, RV 301
E551817
The Violin Concerto in G major, Op. 4 No. 3, RV 301 is a virtuosic solo violin concerto by Antonio Vivaldi, notable for its inventive passagework and expressive contrasts characteristic of his early 18th-century style.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Violin Concerto in G major, Op. 4 No. 3, RV 301 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5763345 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Violin Concerto in G major, Op. 4 No. 3, RV 301 Context triple: [La stravaganza, hasPart, Violin Concerto in G major, Op. 4 No. 3, RV 301]
-
A.
Violin Concerto in B-flat major, Op. 4 No. 1, RV 383a
The Violin Concerto in B-flat major, Op. 4 No. 1, RV 383a is a virtuosic solo violin concerto by Antonio Vivaldi, notable as the opening work of his La stravaganza collection.
-
B.
Violin Concerto in E minor, Op. 4 No. 2, RV 279
The Violin Concerto in E minor, Op. 4 No. 2, RV 279 is one of Antonio Vivaldi’s virtuosic early 18th-century concertos for solo violin and strings, notable for its expressive minor-key writing and inclusion in the collection "La stravaganza."
-
C.
Violin Concerto No. 1 in D major
Violin Concerto No. 1 in D major is a 20th-century concerto for solo violin and orchestra by Sergei Prokofiev, noted for its lyrical expressiveness, shimmering orchestration, and innovative blend of Romantic and modernist elements.
-
D.
Concerto in G minor, RV 578
The Concerto in G minor, RV 578 is a four-violin and string orchestra concerto by Antonio Vivaldi, notable for its virtuosic interplay between soloists and its inclusion in the influential collection L'estro armonico.
-
E.
Concerto in D major, RV 549
Concerto in D major, RV 549 is a violin concerto by Antonio Vivaldi, notable as one of the works in his influential collection L'estro armonico.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Violin Concerto in G major, Op. 4 No. 3, RV 301 Target entity description: The Violin Concerto in G major, Op. 4 No. 3, RV 301 is a virtuosic solo violin concerto by Antonio Vivaldi, notable for its inventive passagework and expressive contrasts characteristic of his early 18th-century style.
-
A.
Violin Concerto in B-flat major, Op. 4 No. 1, RV 383a
The Violin Concerto in B-flat major, Op. 4 No. 1, RV 383a is a virtuosic solo violin concerto by Antonio Vivaldi, notable as the opening work of his La stravaganza collection.
-
B.
Violin Concerto in E minor, Op. 4 No. 2, RV 279
The Violin Concerto in E minor, Op. 4 No. 2, RV 279 is one of Antonio Vivaldi’s virtuosic early 18th-century concertos for solo violin and strings, notable for its expressive minor-key writing and inclusion in the collection "La stravaganza."
-
C.
Violin Concerto No. 1 in D major
Violin Concerto No. 1 in D major is a 20th-century concerto for solo violin and orchestra by Sergei Prokofiev, noted for its lyrical expressiveness, shimmering orchestration, and innovative blend of Romantic and modernist elements.
-
D.
Concerto in G minor, RV 578
The Concerto in G minor, RV 578 is a four-violin and string orchestra concerto by Antonio Vivaldi, notable for its virtuosic interplay between soloists and its inclusion in the influential collection L'estro armonico.
-
E.
Concerto in D major, RV 549
Concerto in D major, RV 549 is a violin concerto by Antonio Vivaldi, notable as one of the works in his influential collection L'estro armonico.
- F. None of above. chosen
Statements (30)
| Predicate | Object |
|---|---|
| instanceOf |
concerto
ⓘ
violin concerto ⓘ |
| approximateCompositionPeriod | early 18th century ⓘ |
| associatedWith | Italian Baroque violin tradition ⓘ |
| catalogNumber | RV 301 NERFINISHED ⓘ |
| composer | Antonio Vivaldi NERFINISHED ⓘ |
| countryOfOrigin | Republic of Venice NERFINISHED ⓘ |
| dedicationOfOpus | La Stravaganza NERFINISHED ⓘ |
| firstPublicationPlace | Amsterdam NERFINISHED ⓘ |
| firstPublisher | Estienne Roger NERFINISHED ⓘ |
| genre | Baroque concerto ⓘ |
| hasTitleOfOpus | La Stravaganza, Op. 4 NERFINISHED ⓘ |
| key | G major ⓘ |
| language | none (instrumental) ⓘ |
| movementCount | 3 ⓘ |
| musicalForm | ritornello form ⓘ |
| notableFeature |
expressive contrasts
ⓘ
inventive passagework ⓘ virtuosic solo violin writing ⓘ |
| opusNumber | Op. 4 No. 3 ⓘ |
| orchestration |
basso continuo
ⓘ
solo violin and string orchestra ⓘ |
| partOf | La Stravaganza, Op. 4 NERFINISHED ⓘ |
| positionInSeries | No. 3 in La Stravaganza, Op. 4 NERFINISHED ⓘ |
| publicationOpus | Op. 4 ⓘ |
| soloInstrument | violin ⓘ |
| stylePeriod | Baroque ⓘ |
| typicalMovementStructure | fast–slow–fast ⓘ |
| typicalPerformanceDuration | approximately 10–12 minutes ⓘ |
| workNumberInRVcatalog | 301 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Violin Concerto in G major, Op. 4 No. 3, RV 301 Description of subject: The Violin Concerto in G major, Op. 4 No. 3, RV 301 is a virtuosic solo violin concerto by Antonio Vivaldi, notable for its inventive passagework and expressive contrasts characteristic of his early 18th-century style.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.