Frank Teschemacher
E551445
Frank Teschemacher was an influential early Chicago jazz clarinetist and saxophonist known for his role in shaping the Chicago style of the 1920s and early 1930s.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Frank Teschemacher canonical | 1 |
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
band member
ⓘ
clarinetist ⓘ human ⓘ jazz musician ⓘ saxophonist ⓘ |
| activeYearsEnd | 1932 ⓘ |
| activeYearsStart | 1920 ⓘ |
| associatedAct |
Austin High School Gang
NERFINISHED
ⓘ
Bud Freeman NERFINISHED ⓘ Eddie Condon NERFINISHED ⓘ Gene Krupa NERFINISHED ⓘ Jimmy McPartland NERFINISHED ⓘ McKenzie-Condon Chicagoans NERFINISHED ⓘ Mezz Mezzrow NERFINISHED ⓘ Muggsy Spanier NERFINISHED ⓘ Wingy Manone NERFINISHED ⓘ |
| burialPlace | Mount Olive Cemetery, Chicago NERFINISHED ⓘ |
| causeOfDeath | traffic collision ⓘ |
| countryOfCitizenship | United States of America ⓘ |
| dateOfBirth | 1906-03-13 ⓘ |
| dateOfDeath | 1932-03-01 ⓘ |
| educatedAt | Austin High School, Chicago NERFINISHED ⓘ |
| era |
1920s jazz era
ⓘ
early 1930s jazz era ⓘ |
| familyName | Teschemacher NERFINISHED ⓘ |
| gender | male ⓘ |
| genre |
Chicago jazz
ⓘ
jazz ⓘ |
| givenName | Frank NERFINISHED ⓘ |
| influenced | later Chicago jazz clarinetists ⓘ |
| influencedBy | New Orleans jazz musicians NERFINISHED ⓘ |
| instrument |
alto saxophone
ⓘ
clarinet ⓘ tenor saxophone ⓘ |
| movement | Chicago style jazz NERFINISHED ⓘ |
| name | Frank Teschemacher NERFINISHED ⓘ |
| nationality | American ⓘ |
| notableFor |
helping define the Chicago style of jazz in the 1920s
ⓘ
pioneering improvisational clarinet work in Chicago jazz ⓘ |
| notableWork |
"Sugar" (1927 recording) with the McKenzie-Condon Chicagoans
NERFINISHED
ⓘ
recordings with the McKenzie-Condon Chicagoans ⓘ |
| occupation |
jazz clarinetist
ⓘ
jazz saxophonist ⓘ |
| placeOfBirth | Kansas City, Missouri, United States NERFINISHED ⓘ |
| placeOfDeath | Chicago, Illinois, United States ⓘ |
| residence | Chicago, Illinois, United States ⓘ |
| styleCharacteristic |
hot, driving Chicago-style improvisation
ⓘ
use of edgy tone and rhythmic attack ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.