Cello Concerto No. 1
E546044
Cello Concerto No. 1 is a landmark 20th-century concerto for cello and orchestra by Dmitri Shostakovich, renowned for its intense emotional power, driving rhythms, and prominent solo cadenza.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Cello Concerto No. 1 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5642115 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Cello Concerto No. 1 Context triple: [Dmitri Shostakovich, notableWork, Cello Concerto No. 1]
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A.
Cello Concerto
Cello Concerto is a 1956 concerto for cello and orchestra by English composer William Walton, admired for its lyrical intensity and rich orchestration.
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B.
Cello Concerto, Op. 22
Cello Concerto, Op. 22 is a 1945 concerto for cello and orchestra by American composer Samuel Barber, known for its lyrical intensity and virtuosic demands.
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C.
Cello Concerto in B minor, Op. 104
The Cello Concerto in B minor, Op. 104 is Antonín Dvořák’s celebrated late-Romantic concerto for cello and orchestra, renowned for its lyrical themes, rich orchestration, and status as a cornerstone of the cello repertoire.
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D.
Cello Concerto in B-flat major, G. 482
The Cello Concerto in B-flat major, G. 482 is a prominent 18th-century concerto by Luigi Boccherini, celebrated for its lyrical melodies and virtuosic writing for the solo cello.
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E.
Cello Concerto in A minor, H. 432
The Cello Concerto in A minor, H. 432 is a prominent 18th-century concerto by Carl Philipp Emanuel Bach that showcases his expressive, empfindsamer Stil writing for solo cello and orchestra.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Cello Concerto No. 1 Target entity description: Cello Concerto No. 1 is a landmark 20th-century concerto for cello and orchestra by Dmitri Shostakovich, renowned for its intense emotional power, driving rhythms, and prominent solo cadenza.
-
A.
Cello Concerto
Cello Concerto is a 1956 concerto for cello and orchestra by English composer William Walton, admired for its lyrical intensity and rich orchestration.
-
B.
Cello Concerto, Op. 22
Cello Concerto, Op. 22 is a 1945 concerto for cello and orchestra by American composer Samuel Barber, known for its lyrical intensity and virtuosic demands.
-
C.
Cello Concerto in B minor, Op. 104
The Cello Concerto in B minor, Op. 104 is Antonín Dvořák’s celebrated late-Romantic concerto for cello and orchestra, renowned for its lyrical themes, rich orchestration, and status as a cornerstone of the cello repertoire.
-
D.
Cello Concerto in B-flat major, G. 482
The Cello Concerto in B-flat major, G. 482 is a prominent 18th-century concerto by Luigi Boccherini, celebrated for its lyrical melodies and virtuosic writing for the solo cello.
-
E.
Cello Concerto in A minor, H. 432
The Cello Concerto in A minor, H. 432 is a prominent 18th-century concerto by Carl Philipp Emanuel Bach that showcases his expressive, empfindsamer Stil writing for solo cello and orchestra.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
cello concerto
ⓘ
concerto ⓘ |
| associatedWith | Soviet-era artistic climate ⓘ |
| catalogNumber | Op. 107 ⓘ |
| composer | Dmitri Shostakovich NERFINISHED ⓘ |
| countryOfOrigin | Soviet Union ⓘ |
| criticalReputation | landmark 20th-century cello concerto ⓘ |
| dedicatedTo | Mstislav Rostropovich NERFINISHED ⓘ |
| followedBy | Cello Concerto No. 2 NERFINISHED ⓘ |
| genre |
20th-century classical music
ⓘ
Soviet classical music ⓘ |
| hasMotif | DSCH motif NERFINISHED ⓘ |
| hasProminentRoleFor | horn ⓘ |
| influencedBy |
Joseph Haydn
NERFINISHED
ⓘ
Sergei Prokofiev NERFINISHED ⓘ |
| key | E-flat major ⓘ |
| languageOfWork | none (instrumental) ⓘ |
| movement |
Allegretto
ⓘ
Allegro con moto ⓘ Cadenza ⓘ Moderato ⓘ |
| notableFeature |
driving rhythms
ⓘ
intense emotional power ⓘ prominent solo cadenza ⓘ |
| notableInstrumentalFeature | extensive solo cadenza as third movement ⓘ |
| notableRecordingArtist |
Mstislav Rostropovich
NERFINISHED
ⓘ
Rostropovich with Mravinsky ⓘ Yo-Yo Ma NERFINISHED ⓘ |
| numberOfMovements | 4 ⓘ |
| orchestralForces | woodwinds, brass, percussion, and strings with solo cello ⓘ |
| orchestration | cello and orchestra ⓘ |
| period | 20th century ⓘ |
| placeOfPremiere | Leningrad NERFINISHED ⓘ |
| premiereConductor | Yevgeny Mravinsky NERFINISHED ⓘ |
| premiereOrchestra | Leningrad Philharmonic Orchestra NERFINISHED ⓘ |
| premierePerformer | Mstislav Rostropovich NERFINISHED ⓘ |
| soloInstrument | cello ⓘ |
| structure | continuous large-scale design with four linked movements ⓘ |
| style | modernist ⓘ |
| tempoMarkingFirstMovement | Allegretto ⓘ |
| tempoMarkingFourthMovement | Allegro con moto ⓘ |
| tempoMarkingSecondMovement | Moderato ⓘ |
| typicalDuration | about 28 minutes ⓘ |
| workSeries | Shostakovich cello concertos NERFINISHED ⓘ |
| writtenFor | Mstislav Rostropovich NERFINISHED ⓘ |
| yearComposed | 1959 ⓘ |
| yearOfPremiere | 1959 ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Cello Concerto No. 1 Description of subject: Cello Concerto No. 1 is a landmark 20th-century concerto for cello and orchestra by Dmitri Shostakovich, renowned for its intense emotional power, driving rhythms, and prominent solo cadenza.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.