Guidonian hand

E541127

The Guidonian hand is a medieval musical teaching tool that mapped pitches onto parts of the human hand to help singers learn and sight-read chant.

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Statements (45)

Predicate Object
instanceOf medieval pedagogical tool
music theory concept
musical mnemonic device
appliesTo Gregorian chant NERFINISHED
monophonic liturgical music
associatedWith Guido of Arezzo NERFINISHED
Guidonian notation NERFINISHED
solmization syllables ut–re–mi–fa–sol–la
basedOn hexachord system
category hand sign system
mnemonic technique
context Latin liturgical chant
developedIn 11th century
Middle Ages NERFINISHED
field music education
music theory
geographicScope Western Europe NERFINISHED
hasPart pitches assigned to finger joints
pitches assigned to fingertips
pitches assigned to the palm
historicalPeriod medieval music
influenced later solfège pedagogy
influencedBy Guido of Arezzo’s hexachord theory
maps musical pitches to parts of the human hand
medium human hand
namedAfter Guido of Arezzo NERFINISHED
notationSystem gamut from low G to high E
pedagogicalStyle visual-kinesthetic learning
relatedTo Guidonian gamut NERFINISHED
hexachordal solmization
medieval music notation
represents the gamut of medieval pitch names
the system of overlapping hexachords
teaches location of semitones in hexachords
relative pitch relationships
teachingGoal improving accuracy of pitch in choir singing
reducing reliance on rote memorization of melodies
teachingMethod pointing to joints and tips of fingers
timeOfUse 11th to 16th centuries
usedBy choir directors in monastic schools
medieval singing teachers
usedFor memorizing musical pitches
sight-reading Gregorian chant
teaching chant
teaching sight-singing

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Guido of Arezzo knownFor Guidonian hand