Neo-Concrete movement
E534373
The Neo-Concrete movement was a Brazilian avant-garde art movement of the late 1950s and early 1960s that emphasized subjective experience, viewer participation, and organic forms as a reaction against the strict rationalism of Concrete art.
All labels observed (8)
| Label | Occurrences |
|---|---|
| Neo-Concrete movement canonical | 7 |
| Neo-Concrete art | 4 |
| Brazilian Neo-Concrete movement | 3 |
| Neo-Concretism | 2 |
| neo-concrete art | 2 |
| Brazilian Neo-Concrete art movement | 1 |
| Concretism | 1 |
| Neo-Concrete theory | 1 |
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
Brazilian art movement
ⓘ
art movement ⓘ |
| activePeriodEnd | early 1960s ⓘ |
| activePeriodStart | late 1950s ⓘ |
| countryOfOrigin | Brazil ⓘ |
| follows | Concrete art NERFINISHED ⓘ |
| genre | avant-garde art ⓘ |
| hasMainCharacteristic |
activation of the spectator
ⓘ
anti-dogmatic stance toward abstraction ⓘ collaborative and interdisciplinary practices ⓘ critique of rationalist constructivism ⓘ dynamic spatial structures ⓘ emphasis on lived experience ⓘ emphasis on process over finished object ⓘ emphasis on subjective experience ⓘ emphasis on temporality and process ⓘ emphasis on the body of the spectator ⓘ emphasis on the here-and-now of perception ⓘ experimentation with new materials ⓘ exploration of affect in abstraction ⓘ exploration of space and movement ⓘ fusion of poetry and visual arts ⓘ integration of art and life ⓘ integration of time into the artwork ⓘ interactive objects ⓘ interest in phenomenology of perception ⓘ interest in sensorial experience ⓘ multi-sensory engagement ⓘ non-illusionistic space ⓘ non-object art concepts ⓘ open work concept ⓘ open-ended structures ⓘ organic forms ⓘ participatory artworks ⓘ phenomenological approach to perception ⓘ poetic abstraction ⓘ redefinition of the art object ⓘ rejection of impersonal objectivity ⓘ rejection of purely mathematical composition ⓘ rejection of strict rationalism ⓘ subjective geometry ⓘ use of color as experiential element ⓘ use of geometric elements with expressive intent ⓘ use of simple forms to create complex experiences ⓘ viewer participation ⓘ |
| inception | 1959 ⓘ |
| movementIn | visual arts ⓘ |
Referenced by (21)
Full triples — surface form annotated when it differs from this entity's canonical label.
this entity surface form:
neo-concrete art
subject surface form:
Lygia Pape
subject surface form:
Amílcar de Castro
this entity surface form:
neo-concrete art
this entity surface form:
Neo-Concrete art
this entity surface form:
Neo-Concretism
this entity surface form:
Neo-Concrete theory
this entity surface form:
Neo-Concrete art
this entity surface form:
Neo-Concrete art
this entity surface form:
Brazilian Neo-Concrete art movement
this entity surface form:
Brazilian Neo-Concrete movement
this entity surface form:
Brazilian Neo-Concrete movement
subject surface form:
Franz Weissmann
this entity surface form:
Concretism
subject surface form:
Franz Weissmann
this entity surface form:
Neo-Concretism
this entity surface form:
Neo-Concrete art
this entity surface form:
Brazilian Neo-Concrete movement