Back Seat Dodge ’38

E532629

Back Seat Dodge ’38 is a controversial 1964 assemblage sculpture by American artist Ed Kienholz that stages a life-sized, sexually charged scene inside a vintage car to critique mid-20th-century American morality and hypocrisy.

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Statements (44)

Predicate Object
instanceOf assemblage sculpture
contemporary artwork
artHistoricalSignificance important example of Kienholz’s social critique
key work of 1960s American assemblage
artworkStyle environmental sculpture
realist tableau
controversy accusations of obscenity
pressure for restricted viewing conditions
countryOfOrigin United States of America
surface form: United States
creator Ed Kienholz NERFINISHED
Edward Kienholz NERFINISHED
depicts intimate sexual encounter
life-sized couple in a car
exhibitedAt Los Angeles County Museum of Art NERFINISHED
various contemporary art museums
genre assemblage art
installation art
hasPart audio elements
beer bottles
detritus on car floor
mannequin figures
vintage car interior
hasTitle Back Seat Dodge 38 NERFINISHED
Back Seat Dodge ’38 NERFINISHED
inception 1964
intendedMeaning critique of sexual repression
exposure of social hypocrisy
languageOfTitle English
locatedInCollection Los Angeles County Museum of Art collection
locationOfCreation Los Angeles NERFINISHED
mainSubject American morality
hypocrisy
sexuality
teenage sexuality
movement Funk art
West Coast assemblage NERFINISHED
notableFor censorship debates
controversial sexual content
critique of mid-20th-century American values
timePeriodRepresented mid-20th-century America
titleIncludesYear 1938
usesMaterial 1938 Dodge automobile
found objects
mixed media

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Ed Kienholz notableWork Back Seat Dodge ’38