Inori
E531884
Inori is a large-scale 1974–1977 composition by Karlheinz Stockhausen that combines orchestra and a soloist performing stylized ritual gestures, exploring the fusion of music and prayer.
Statements (32)
| Predicate | Object |
|---|---|
| instanceOf |
concert work
ⓘ
musical composition ⓘ |
| centralConcept |
fusion of music and prayer
ⓘ
ritualization of musical performance ⓘ |
| composer | Karlheinz Stockhausen NERFINISHED ⓘ |
| compositionPeriod | Stockhausen’s late 20th-century experimental phase ⓘ |
| countryOfOrigin | Germany ⓘ |
| dateOfCompositionEnd | 1977 ⓘ |
| dateOfCompositionStart | 1974 ⓘ |
| duration | approximately 70 minutes ⓘ |
| explores |
relationship between sound and gesture
ⓘ
spiritual aspects of musical performance ⓘ |
| genre |
avant-garde music
ⓘ
contemporary classical music ⓘ |
| hasRecording | commercial recordings supervised by Karlheinz Stockhausen ⓘ |
| influencedBy |
prayer practices
ⓘ
religious ritual ⓘ |
| languageOfTitle | Japanese ⓘ |
| movementStructure | single continuous movement ⓘ |
| notableFeature |
detailed codified system of gestures
ⓘ
integration of visual ritual with orchestral sound ⓘ soloist does not produce sound but shapes the music through gestures ⓘ |
| partOfSeries | Stockhausen’s formula-based works ⓘ |
| premiereDate | 1974 ⓘ |
| publisher | Stockhausen-Verlag NERFINISHED ⓘ |
| scoredFor |
orchestra
ⓘ
soloist ⓘ |
| soloistRole | performing stylized ritual gestures ⓘ |
| soloistType | mimed soloist ⓘ |
| titleMeaning | prayer ⓘ |
| usesTechnique | formula composition ⓘ |
| workNumber | Nr. 38 ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.