Marche au supplice
E522925
Marche au supplice is the dramatic fourth movement of Hector Berlioz’s Symphonie fantastique, depicting the protagonist’s opium-induced vision of his own march to the guillotine.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Marche au supplice canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5453407 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Marche au supplice Context triple: [Symphonie fantastique, movement, Marche au supplice]
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A.
La Guillotière
La Guillotière is a lively, historically working-class neighborhood in Lyon known for its cultural diversity, dense urban fabric, and central location on the left bank of the Rhône.
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B.
Chambre Ardente
The Chambre Ardente was a special court of the French monarchy in the late 17th century, notorious for its secretive trials and harsh sentences in cases of poisoning, witchcraft, and related crimes.
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C.
the Condemned Man
The Condemned Man is a silent, bewildered prisoner in Franz Kafka’s “In the Penal Colony,” whose impending execution exposes the brutality and absurdity of the colony’s justice system.
-
D.
La Tortura
"La Tortura" is a 2005 Latin pop and reggaeton-influenced hit by Shakira featuring Alejandro Sanz, known for its innovative music video and major international chart success.
-
E.
La Rabouilleuse
La Rabouilleuse is a novel by Honoré de Balzac, part of his La Comédie humaine cycle, that explores themes of inheritance, family conflict, and social ambition in post-Napoleonic France.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Marche au supplice Target entity description: Marche au supplice is the dramatic fourth movement of Hector Berlioz’s Symphonie fantastique, depicting the protagonist’s opium-induced vision of his own march to the guillotine.
-
A.
La Guillotière
La Guillotière is a lively, historically working-class neighborhood in Lyon known for its cultural diversity, dense urban fabric, and central location on the left bank of the Rhône.
-
B.
Chambre Ardente
The Chambre Ardente was a special court of the French monarchy in the late 17th century, notorious for its secretive trials and harsh sentences in cases of poisoning, witchcraft, and related crimes.
-
C.
the Condemned Man
The Condemned Man is a silent, bewildered prisoner in Franz Kafka’s “In the Penal Colony,” whose impending execution exposes the brutality and absurdity of the colony’s justice system.
-
D.
La Tortura
"La Tortura" is a 2005 Latin pop and reggaeton-influenced hit by Shakira featuring Alejandro Sanz, known for its innovative music video and major international chart success.
-
E.
La Rabouilleuse
La Rabouilleuse is a novel by Honoré de Balzac, part of his La Comédie humaine cycle, that explores themes of inheritance, family conflict, and social ambition in post-Napoleonic France.
- F. None of above. chosen
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
orchestral movement
ⓘ
program music ⓘ |
| associatedCharacter | the Artist (protagonist of Symphonie fantastique) NERFINISHED ⓘ |
| composer | Hector Berlioz NERFINISHED ⓘ |
| countryOfOrigin | France ⓘ |
| depicts |
execution of the artist-protagonist
ⓘ
march to the guillotine ⓘ opium-induced vision ⓘ |
| endingFeature |
final chord suggesting the fall of the blade
ⓘ
orchestral depiction of the guillotine stroke ⓘ |
| genre | symphonic program music ⓘ |
| hasCataloguedWork | Symphonie fantastique, H 48 NERFINISHED ⓘ |
| idéeFixeFunction | represents the beloved before the execution ⓘ |
| includes | brief appearance of the idée fixe ⓘ |
| literaryInfluence | Romantic fascination with death and the grotesque ⓘ |
| mood |
dramatic
ⓘ
foreboding ⓘ macabre ⓘ |
| movementNumber | 4 ⓘ |
| narrativeRole | precedes the Witches’ Sabbath finale ⓘ |
| notableRecording |
recordings by the Berlin Philharmonic under Herbert von Karajan
ⓘ
recordings by the Concertgebouw Orchestra under Leonard Bernstein ⓘ recordings by the Orchestre Révolutionnaire et Romantique under John Eliot Gardiner ⓘ |
| opusNumberOfWork | Op. 14 ⓘ |
| orchestrationFeature |
bassoons
ⓘ
large Romantic orchestra ⓘ low strings ⓘ prominent brass ⓘ prominent percussion ⓘ timpani ⓘ |
| partOf | Symphonie fantastique NERFINISHED ⓘ |
| period | Romantic era NERFINISHED ⓘ |
| positionInWork | between the Scène aux champs and the Songe d’une nuit du sabbat ⓘ |
| premiereDate | 1830-12-05 ⓘ |
| premierePlace | Paris NERFINISHED ⓘ |
| premiereWork | Symphonie fantastique, Op. 14 NERFINISHED ⓘ |
| relatedWork |
Scène aux champs
NERFINISHED
ⓘ
Songe d’une nuit du sabbat NERFINISHED ⓘ |
| tempoCharacter | march-like ⓘ |
| theme |
march rhythm
ⓘ
ominous procession ⓘ sudden dynamic contrasts ⓘ |
| titleLanguage | French ⓘ |
| translatedTitle | March to the Scaffold NERFINISHED ⓘ |
| workKey | C minor ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Marche au supplice Description of subject: Marche au supplice is the dramatic fourth movement of Hector Berlioz’s Symphonie fantastique, depicting the protagonist’s opium-induced vision of his own march to the guillotine.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.