Songe d’une nuit de sabbat

E520732

Songe d’une nuit de sabbat is the macabre, witch-sabbath finale of Hector Berlioz’s Symphonie fantastique, famed for its grotesque orchestration and use of the Dies irae theme.

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Statements (41)

Predicate Object
instanceOf symphonic movement
catalogueNumber H 48/5 NERFINISHED
characteristic depiction of a witches’ sabbath
grotesque orchestration
macabre atmosphere
parody of the Dies irae chant
use of church bells
use of col legno strings
composer Hector Berlioz NERFINISHED
countryOfOrigin France
depicts a demonic sabbath gathering
the beloved as a witch
follows Marche au supplice
genre Romantic orchestral music
program music
hasKey C minor
hasSection Dies irae section
Witches’ round dance NERFINISHED
influenced late-Romantic orchestration practices
later program symphonies
languageOfTitle French
movementNumber 5
movementOf Symphonie fantastique: Épisode de la vie d’un artiste NERFINISHED
notableFor early use of musical grotesque
innovative orchestration
integration of Gregorian chant into symphonic music
orchestrationFeature expanded brass section
prominent percussion
unconventional instrumental effects
partOf Op. 14
Symphonie fantastique NERFINISHED
partOfNarrative opium-induced hallucination
premiereDate 5 December 1830
premieredWith Symphonie fantastique NERFINISHED
premiereLocation Paris NERFINISHED
stylePeriod Romantic
tempoCharacter contrasting slower, eerie passages
very fast and agitated sections
titleTranslation Dream of a Sabbath Night NERFINISHED
Dream of a Witches’ Sabbath NERFINISHED
usesTheme Dies irae NERFINISHED

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Berlioz Symphonie fantastique movement Songe d’une nuit de sabbat
subject surface form: Symphonie fantastique