Salon of 1827

E519180

The Salon of 1827 was a major Parisian art exhibition under the French Academy that showcased leading works of Neoclassical and Romantic painting, serving as a key stage for artistic debate in early 19th-century France.

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All labels observed (1)

Label Occurrences
Salon of 1827 canonical 2

Statements (47)

Predicate Object
instanceOf Paris Salon
art exhibition
audience European art collectors
French art critics
Parisian public
country France
exhibitedWork Greece on the Ruins of Missolonghi NERFINISHED
The Apotheosis of Homer NERFINISHED
The Battle of Navarino NERFINISHED
The Death of Sardanapalus NERFINISHED
The Massacre at Chios (re-exhibited) NERFINISHED
genre scenes
historical paintings
landscapes
mythological paintings
portraits
religious paintings
field painting
sculpture
followedBy Salon of 1831 NERFINISHED
genre art exhibition
hasParticipant Antoine-Jean Gros NERFINISHED
Ary Scheffer NERFINISHED
Eugène Delacroix NERFINISHED
Horace Vernet NERFINISHED
Jean-Auguste-Dominique Ingres NERFINISHED
Paul Delaroche NERFINISHED
Théodore Gudin NERFINISHED
influenced critical debates in French art criticism
development of French Romantic painting
public perception of Romanticism in France
language French
location Louvre NERFINISHED
Paris
movement Neoclassicism
Romanticism NERFINISHED
organizer Académie des Beaux-Arts NERFINISHED
French Academy NERFINISHED
partOf Paris Salon exhibitions NERFINISHED
pointInTime 1827
precededBy Salon of 1824 NERFINISHED
significance key stage for artistic debate between Neoclassicism and Romanticism in France
major Parisian art exhibition of the early 19th century
timePeriod 19th century
topic conflict between academic classicism and Romantic innovation
national identity in post-Napoleonic France
role of history painting in French art

Referenced by (2)

Full triples — surface form annotated when it differs from this entity's canonical label.