Notes on Sculpture
E517943
"Notes on Sculpture" is a seminal series of essays by Robert Morris that helped define and theorize Minimalist sculpture in the 1960s.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Notes on Sculpture canonical | 1 |
Statements (39)
| Predicate | Object |
|---|---|
| instanceOf |
art theory text
ⓘ
series of essays ⓘ |
| author | Robert Morris NERFINISHED ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| criticalReception |
seminal text in Minimalist theory
ⓘ
widely anthologized in art theory readers ⓘ |
| discusses |
work of Carl Andre
ⓘ
work of Dan Flavin ⓘ work of Donald Judd ⓘ work of Tony Smith ⓘ |
| genre |
aesthetic theory
ⓘ
art criticism ⓘ |
| hasPart |
Notes on Sculpture, Part 1
NERFINISHED
ⓘ
Notes on Sculpture, Part 2 NERFINISHED ⓘ Notes on Sculpture, Part 3 NERFINISHED ⓘ Notes on Sculpture, Part 4 NERFINISHED ⓘ |
| historicalContext |
1960s avant-garde
ⓘ
postwar American art ⓘ |
| influenced |
Minimalist art discourse
ⓘ
conceptualizations of sculpture as object ⓘ |
| influencedBy |
Gestalt psychology
NERFINISHED
ⓘ
modernist sculpture ⓘ phenomenology ⓘ |
| keyConcept |
anti-illusionism
ⓘ
industrial materials in sculpture ⓘ objecthood in sculpture ⓘ repetition and seriality ⓘ scale and proportion in sculpture ⓘ site and context of sculpture ⓘ unitary forms ⓘ viewer perception ⓘ |
| language | English ⓘ |
| mainSubject |
Minimalist sculpture
ⓘ
sculpture theory ⓘ |
| movement | Minimalism NERFINISHED ⓘ |
| publicationDecade | 1960s ⓘ |
| publishedIn | Artforum NERFINISHED ⓘ |
| relatedWork |
Art and Objecthood
NERFINISHED
ⓘ
Minimal Art exhibition (1966) ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.