Lennie Tristano

E517373

Lennie Tristano was an influential American jazz pianist, composer, and teacher known for his innovative approach to improvisation and early experiments with cool jazz and free jazz.

All labels observed (1)

Label Occurrences
Lennie Tristano canonical 1

How this entity was disambiguated

Statements (54)

Predicate Object
instanceOf bandleader ⓘ
composer ⓘ
human ⓘ
jazz pianist ⓘ
music educator ⓘ
causeOfDeath heart attack ⓘ
collaboratedWith Art Taylor NERFINISHED ⓘ
Billy Bauer NERFINISHED ⓘ
Lee Konitz NERFINISHED ⓘ
Warne Marsh NERFINISHED ⓘ
countryOfCitizenship United States of America ⓘ
dateOfBirth 1919-03-19 ⓘ
dateOfDeath 1978-11-18 ⓘ
educatedAt American Conservatory of Music NERFINISHED ⓘ
ethnicGroup Italian American ⓘ
familyName Tristano NERFINISHED ⓘ
founded Lennie Tristano School of Jazz NERFINISHED ⓘ
fullName Leonard Joseph Tristano NERFINISHED ⓘ
genre bebop ⓘ
cool jazz ⓘ
free jazz ⓘ
jazz ⓘ
givenName Leonard NERFINISHED ⓘ
influenced Anthony Braxton NERFINISHED ⓘ
Bill Evans NERFINISHED ⓘ
Lee Konitz NERFINISHED ⓘ
Paul Bley NERFINISHED ⓘ
Warne Marsh NERFINISHED ⓘ
instrument piano ⓘ
knownFor advanced use of counterpoint in jazz ⓘ
complex rhythmic superimpositions ⓘ
early experiments with cool jazz ⓘ
early experiments with free jazz ⓘ
innovative approach to improvisation ⓘ
teaching influential jazz musicians ⓘ
locationOfFormation Lennie Tristano School of Jazz, New York City NERFINISHED ⓘ
movement cool jazz movement ⓘ
notableWork Descent into the Maelstrom NERFINISHED ⓘ
Lennie Tristano (1956 album) NERFINISHED ⓘ
Line Up NERFINISHED ⓘ
Turkish Mambo NERFINISHED ⓘ
occupation composer ⓘ
pianist ⓘ
teacher ⓘ
placeOfBirth Chicago, Illinois, United States ⓘ
placeOfDeath New York City ⓘ
surface form: New York City, New York, United States
recordLabel Atlantic Records ⓘ
Capitol Records ⓘ
residence New York City ⓘ
surface form: New York City, New York, United States
studentOf Carl Beecher NERFINISHED ⓘ
styleCharacteristic preference for linear improvisation over chordal playing ⓘ
use of long, intricate melodic lines ⓘ
use of overdubbing and multitracking in jazz recordings ⓘ
visualImpairment legally blind ⓘ

How these facts were elicited

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.