X: Writings ’79–’82
E508614
Writings ’79–’82 is a collection of experimental texts by avant-garde composer John Cage, reflecting his innovative approaches to language, chance, and artistic philosophy during the late 1970s and early 1980s.
All labels observed (1)
| Label | Occurrences |
|---|---|
| X: Writings ’79–’82 canonical | 1 |
Statements (44)
| Predicate | Object |
|---|---|
| instanceOf |
book
ⓘ
collection of writings ⓘ |
| about |
John Cage’s compositional methods
ⓘ
the nature of listening ⓘ the relationship between art and everyday life ⓘ the role of chance in art ⓘ |
| associatedWith |
20th-century experimentalism
ⓘ
avant-garde music ⓘ conceptual art ⓘ |
| author | John Cage NERFINISHED ⓘ |
| authorOccupation |
composer
ⓘ
writer ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| creator | John Cage NERFINISHED ⓘ |
| genre |
experimental literature
ⓘ
music-related prose ⓘ |
| hasAuthorialIntent |
to apply chance procedures to writing
ⓘ
to articulate John Cage’s artistic philosophy in prose ⓘ to explore the relationship between sound and language ⓘ |
| hasForm |
essays
ⓘ
experimental prose ⓘ short texts ⓘ |
| hasStyle |
avant-garde
ⓘ
experimental ⓘ |
| hasTemporalContext |
early 1980s
ⓘ
late 1970s ⓘ |
| influencedBy |
Dada
NERFINISHED
ⓘ
Zen Buddhism NERFINISHED ⓘ experimental music practices ⓘ |
| language | English ⓘ |
| mainSubject |
aesthetics
ⓘ
artistic philosophy ⓘ avant-garde art ⓘ chance operations ⓘ experimental music ⓘ language experimentation ⓘ |
| partOf | John Cage’s collected writings NERFINISHED ⓘ |
| publicationPeriodCovered |
1979
ⓘ
1980 ⓘ 1981 ⓘ 1982 ⓘ |
| usesTechnique |
chance operations
ⓘ
nonlinear composition ⓘ unconventional typography ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.