The Third Memory
E491636
The Third Memory is a video installation by artist Pierre Huyghe that reconstructs a famous bank robbery by juxtaposing the robber’s own recollections with their cinematic reenactment in the film "Dog Day Afternoon."
Statements (44)
| Predicate | Object |
|---|---|
| instanceOf |
contemporary artwork
ⓘ
video installation ⓘ |
| basedOn |
1972 Chase Manhattan Bank robbery in Brooklyn
ⓘ
Dog Day Afternoon NERFINISHED ⓘ |
| commissionedBy | Centre Georges Pompidou NERFINISHED ⓘ |
| countryOfOrigin | France ⓘ |
| creator | Pierre Huyghe NERFINISHED ⓘ |
| depicts | John Wojtowicz NERFINISHED ⓘ |
| exhibitionVenue |
Centre Georges Pompidou
NERFINISHED
ⓘ
Dia Center for the Arts NERFINISHED ⓘ Guggenheim Museum NERFINISHED ⓘ Museum of Modern Art NERFINISHED ⓘ |
| features | John Wojtowicz NERFINISHED ⓘ |
| filmingLocation | New York City ⓘ |
| genre |
conceptual art
ⓘ
installation art ⓘ video art ⓘ |
| hasPart |
clips from Dog Day Afternoon
ⓘ
interview footage with John Wojtowicz ⓘ reenactment staged by John Wojtowicz ⓘ |
| inception | 1999 ⓘ |
| language | English ⓘ |
| medium |
two-channel video installation
ⓘ
video ⓘ |
| movement | relational aesthetics ⓘ |
| narrativeFocus | the gap between lived experience and cinematic representation ⓘ |
| notableWorkOf | Pierre Huyghe NERFINISHED ⓘ |
| partOf | Pierre Huyghe’s explorations of fiction and reality ⓘ |
| productionCompany | Pierre Huyghe Studio NERFINISHED ⓘ |
| runningTime | approximately 60 minutes ⓘ |
| screeningContext |
art museum
ⓘ
contemporary art biennial ⓘ |
| sound | synchronized sound ⓘ |
| subject |
bank robbery
ⓘ
cinema ⓘ memory ⓘ reenactment ⓘ |
| theme |
authorship and narrative control
ⓘ
construction of historical memory ⓘ media influence on perception of events ⓘ self-representation ⓘ |
| timePeriodDepicted | 1970s New York ⓘ |
| visualFormat | color video ⓘ |
| workType | two-screen installation ⓘ |
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.