Elwood Bredell
E488860
Elwood Bredell was an American cinematographer best known for his work on classic Hollywood films and film noir in the 1930s and 1940s.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Elwood Bredell canonical | 1 |
Statements (33)
| Predicate | Object |
|---|---|
| instanceOf |
American cinematographer
ⓘ
cinematographer ⓘ human ⓘ |
| activeYearsEnd | 1940s ⓘ |
| activeYearsStart | 1930s ⓘ |
| countryOfCitizenship | United States of America ⓘ |
| employer |
Universal Pictures
NERFINISHED
ⓘ
Warner Bros. NERFINISHED ⓘ |
| fieldOfWork |
cinematography
ⓘ
classic Hollywood cinema ⓘ film ⓘ film noir ⓘ |
| genre |
crime film
ⓘ
film noir ⓘ horror film ⓘ |
| languageOfWorkOrName | English ⓘ |
| notableFor |
expressionistic cinematography
ⓘ
high-contrast lighting ⓘ visual style in film noir ⓘ |
| notableWork |
Black Angel (1946 film)
NERFINISHED
ⓘ
Lady on a Train (1945 film) NERFINISHED ⓘ Phantom Lady (1944 film) NERFINISHED ⓘ Sherlock Holmes and the Secret Weapon (1942 film) NERFINISHED ⓘ Sherlock Holmes and the Voice of Terror (1942 film) NERFINISHED ⓘ Son of Dracula (1943 film) NERFINISHED ⓘ The Killers (1946 film) NERFINISHED ⓘ The Mummy's Hand (1940 film) NERFINISHED ⓘ The Mummy's Tomb (1942 film) NERFINISHED ⓘ The Suspect (1944 film) NERFINISHED ⓘ The Unsuspected (1947 film) NERFINISHED ⓘ |
| occupation | cinematographer ⓘ |
| workedIn | Hollywood ⓘ |
| workedOn | Hollywood studio films ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.