“Untitled” (Placebo)
E488200
“Untitled” (Placebo) is a seminal 1991 installation by Felix Gonzalez-Torres consisting of a shimmering pile of silver-wrapped candies that viewers are invited to take, symbolizing themes of loss, illness, and the gradual disappearance of the body.
All labels observed (1)
| Label | Occurrences |
|---|---|
| “Untitled” (Placebo) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T5035098 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: “Untitled” (Placebo) Context triple: [Felix Gonzalez-Torres, notableWork, “Untitled” (Placebo)]
-
A.
“Never”
“Never” is a track by the hip hop group The Roots from their concept album …And Then You Shoot Your Cousin.
-
B.
Placebo
Placebo is a British alternative rock band known for its androgynous image, darkly emotional lyrics, and fusion of glam, punk, and electronic influences.
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C.
Untitled (1982)
Untitled (1982) is a landmark neo-expressionist painting by Jean-Michel Basquiat, celebrated for its raw energy, bold color, and iconic skull imagery that helped cement his status in the contemporary art world.
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D.
Untitled (One Hundred Spaces)
Untitled (One Hundred Spaces) is a large-scale installation by British artist Rachel Whiteread consisting of colorful resin casts of the negative space beneath chairs, exemplifying her exploration of absence and memory.
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E.
“Place of mind”
“Place of mind” is the official motto of the École polytechnique fédérale de Lausanne (EPFL), reflecting its emphasis on innovation, intellectual exploration, and cutting-edge research.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: “Untitled” (Placebo) Target entity description: “Untitled” (Placebo) is a seminal 1991 installation by Felix Gonzalez-Torres consisting of a shimmering pile of silver-wrapped candies that viewers are invited to take, symbolizing themes of loss, illness, and the gradual disappearance of the body.
-
A.
“Never”
“Never” is a track by the hip hop group The Roots from their concept album …And Then You Shoot Your Cousin.
-
B.
Placebo
Placebo is a British alternative rock band known for its androgynous image, darkly emotional lyrics, and fusion of glam, punk, and electronic influences.
-
C.
Untitled (1982)
Untitled (1982) is a landmark neo-expressionist painting by Jean-Michel Basquiat, celebrated for its raw energy, bold color, and iconic skull imagery that helped cement his status in the contemporary art world.
-
D.
Untitled (One Hundred Spaces)
Untitled (One Hundred Spaces) is a large-scale installation by British artist Rachel Whiteread consisting of colorful resin casts of the negative space beneath chairs, exemplifying her exploration of absence and memory.
-
E.
“Place of mind”
“Place of mind” is the official motto of the École polytechnique fédérale de Lausanne (EPFL), reflecting its emphasis on innovation, intellectual exploration, and cutting-edge research.
- F. None of above. chosen
Statements (44)
| Predicate | Object |
|---|---|
| instanceOf |
contemporary art work
ⓘ
installation artwork ⓘ |
| artForm | installation art ⓘ |
| artisticConcept |
candies taken by viewers represent gradual loss
ⓘ
tension between permanence and ephemerality ⓘ work’s ideal weight can be replenished by the institution ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| creator | Felix Gonzalez-Torres NERFINISHED ⓘ |
| depicts | metaphorical human body ⓘ |
| describedAs | seminal installation by Felix Gonzalez-Torres ⓘ |
| displayStrategy |
pile is allowed to diminish over time
ⓘ
visitors are invited to take a candy ⓘ |
| exhibitedAt |
Museum of Modern Art, New York
NERFINISHED
ⓘ
Solomon R. Guggenheim Museum NERFINISHED ⓘ various international museums and galleries ⓘ |
| genre | conceptual art ⓘ |
| hasColor | silver ⓘ |
| hasPart |
candies arranged in a rectangular form
ⓘ
pile of candies on the gallery floor ⓘ |
| hasTitle | "Untitled" (Placebo) NERFINISHED ⓘ |
| inception | 1991 ⓘ |
| influencedBy | HIV/AIDS crisis in the late 1980s and early 1990s ⓘ |
| languageOfTitle | English ⓘ |
| mainSubject |
AIDS epidemic
ⓘ
disappearance of the body ⓘ grief ⓘ illness ⓘ loss ⓘ memory NERFINISHED ⓘ mortality ⓘ |
| materialUsed |
individually wrapped candies
ⓘ
silver-wrapped candies ⓘ |
| movement | contemporary art ⓘ |
| notableFor |
changing, depleting form
ⓘ
engagement with AIDS crisis ⓘ metaphor for the wasting body ⓘ use of everyday materials ⓘ viewer participation ⓘ |
| partOfSeries | Felix Gonzalez-Torres candy works NERFINISHED ⓘ |
| significantEvent | frequently cited as a key work of 1990s conceptual art ⓘ |
| theme |
absence and presence
ⓘ
institutional care and replenishment ⓘ intimacy and public space ⓘ participation ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: “Untitled” (Placebo) Description of subject: “Untitled” (Placebo) is a seminal 1991 installation by Felix Gonzalez-Torres consisting of a shimmering pile of silver-wrapped candies that viewers are invited to take, symbolizing themes of loss, illness, and the gradual disappearance of the body.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.