Fearful Symmetries
E478669
Fearful Symmetries is a 1988 minimalist orchestral work by American composer John Adams, known for its driving rhythmic energy and layered, pulsating textures.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Fearful Symmetries canonical | 2 |
How this entity was disambiguated
This entity first appeared as the object of triple T4901699 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Fearful Symmetries Context triple: [John Adams (composer), notableWork, Fearful Symmetries]
-
A.
’t Hooft anomaly
’t Hooft anomaly is a quantum field theory phenomenon where a classical global symmetry cannot be consistently preserved at the quantum level, imposing powerful constraints on the dynamics and possible phases of the theory.
-
B.
Superstring Theory, Volume 2: Loop Amplitudes, Anomalies and Phenomenology
"Superstring Theory, Volume 2: Loop Amplitudes, Anomalies and Phenomenology" is a foundational advanced textbook that develops the quantum and phenomenological aspects of superstring theory, including loop calculations, anomaly cancellation, and connections to particle physics.
-
C.
Surprises in Theoretical Physics
Surprises in Theoretical Physics is a collection of insightful essays by physicist Rudolf Peierls that explores unexpected results and conceptual twists in modern theoretical physics.
-
D.
Green–Schwarz mechanism
The Green–Schwarz mechanism is a key anomaly-cancellation process in string theory that ensures the mathematical consistency of certain superstring models by eliminating gauge and gravitational anomalies.
-
E.
Superstring Theory, Volume 1: Introduction
Superstring Theory, Volume 1: Introduction is a foundational graduate-level textbook that systematically presents the basic concepts, mathematical framework, and physical motivations of superstring theory.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Fearful Symmetries Target entity description: Fearful Symmetries is a 1988 minimalist orchestral work by American composer John Adams, known for its driving rhythmic energy and layered, pulsating textures.
-
A.
’t Hooft anomaly
’t Hooft anomaly is a quantum field theory phenomenon where a classical global symmetry cannot be consistently preserved at the quantum level, imposing powerful constraints on the dynamics and possible phases of the theory.
-
B.
Superstring Theory, Volume 2: Loop Amplitudes, Anomalies and Phenomenology
"Superstring Theory, Volume 2: Loop Amplitudes, Anomalies and Phenomenology" is a foundational advanced textbook that develops the quantum and phenomenological aspects of superstring theory, including loop calculations, anomaly cancellation, and connections to particle physics.
-
C.
Surprises in Theoretical Physics
Surprises in Theoretical Physics is a collection of insightful essays by physicist Rudolf Peierls that explores unexpected results and conceptual twists in modern theoretical physics.
-
D.
Green–Schwarz mechanism
The Green–Schwarz mechanism is a key anomaly-cancellation process in string theory that ensures the mathematical consistency of certain superstring models by eliminating gauge and gravitational anomalies.
-
E.
Superstring Theory, Volume 1: Introduction
Superstring Theory, Volume 1: Introduction is a foundational graduate-level textbook that systematically presents the basic concepts, mathematical framework, and physical motivations of superstring theory.
- F. None of above. chosen
Statements (30)
| Predicate | Object |
|---|---|
| instanceOf |
minimalist composition
ⓘ
orchestral work ⓘ |
| composer | John Adams NERFINISHED ⓘ |
| composerNationality | American ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| dateOfComposition | 1988 ⓘ |
| genre |
contemporary classical music
ⓘ
minimalism ⓘ |
| hasCharacteristic |
driving rhythmic energy
ⓘ
gradual textural development ⓘ layered textures ⓘ pulsating textures ⓘ repetitive rhythmic patterns ⓘ strong motoric pulse ⓘ |
| hasInfluenceOn | late-20th-century orchestral minimalism ⓘ |
| hasStyle |
additive processes
ⓘ
bright orchestration ⓘ rhythmic layering ⓘ steady pulse ⓘ |
| influencedBy |
American minimalism
ⓘ
post-minimalism ⓘ |
| language | instrumental ⓘ |
| movementStructure | single-movement work ⓘ |
| notableFor |
continuous rhythmic propulsion
ⓘ
dense contrapuntal textures ⓘ energetic orchestral writing ⓘ |
| partOf | John Adams’ orchestral repertoire ⓘ |
| scoring | orchestra ⓘ |
| workTitle | Fearful Symmetries NERFINISHED ⓘ |
| yearOfPremiere | 1988 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Fearful Symmetries Description of subject: Fearful Symmetries is a 1988 minimalist orchestral work by American composer John Adams, known for its driving rhythmic energy and layered, pulsating textures.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.