On the Transmigration of Souls
E478662
On the Transmigration of Souls is a Pulitzer Prize–winning commemorative work for orchestra, chorus, and prerecorded sounds by John Adams, written to honor the victims of the September 11, 2001 attacks.
All labels observed (1)
| Label | Occurrences |
|---|---|
| On the Transmigration of Souls canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T4901692 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: On the Transmigration of Souls Context triple: [John Adams (composer), notableWork, On the Transmigration of Souls]
-
A.
The Great Beyond
The Great Beyond is the metaphysical afterlife realm in Pixar's animated film "Soul," representing what lies beyond earthly existence.
-
B.
The Divine Milieu
The Divine Milieu is a seminal spiritual and philosophical work by Pierre Teilhard de Chardin that explores the presence of God in the evolving cosmos and everyday human experience.
-
C.
The Soul’s Conflict
The Soul’s Conflict is a classic 17th-century Puritan devotional work by Richard Sibbes that offers pastoral counsel on spiritual doubt, suffering, and assurance of faith.
-
D.
The Spirit of Man
"The Spirit of Man" is a song from Jeff Wayne's musical adaptation of H.G. Wells' "The War of the Worlds," exploring human resilience and faith in the face of catastrophic alien invasion.
-
E.
The Soul’s Prison House
The Soul’s Prison House is a symbolist Pre-Raphaelite painting by Evelyn De Morgan that explores themes of spiritual confinement and the soul’s struggle for liberation from the material world.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: On the Transmigration of Souls Target entity description: On the Transmigration of Souls is a Pulitzer Prize–winning commemorative work for orchestra, chorus, and prerecorded sounds by John Adams, written to honor the victims of the September 11, 2001 attacks.
-
A.
The Great Beyond
The Great Beyond is the metaphysical afterlife realm in Pixar's animated film "Soul," representing what lies beyond earthly existence.
-
B.
The Divine Milieu
The Divine Milieu is a seminal spiritual and philosophical work by Pierre Teilhard de Chardin that explores the presence of God in the evolving cosmos and everyday human experience.
-
C.
The Soul’s Conflict
The Soul’s Conflict is a classic 17th-century Puritan devotional work by Richard Sibbes that offers pastoral counsel on spiritual doubt, suffering, and assurance of faith.
-
D.
The Spirit of Man
"The Spirit of Man" is a song from Jeff Wayne's musical adaptation of H.G. Wells' "The War of the Worlds," exploring human resilience and faith in the face of catastrophic alien invasion.
-
E.
The Soul’s Prison House
The Soul’s Prison House is a symbolist Pre-Raphaelite painting by Evelyn De Morgan that explores themes of spiritual confinement and the soul’s struggle for liberation from the material world.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
choral work
ⓘ
commemorative composition ⓘ musical composition ⓘ orchestral work ⓘ |
| associatedEvent | September 11, 2001 attacks NERFINISHED ⓘ |
| awarded | Pulitzer Prize for Music NERFINISHED ⓘ |
| awardYear | 2003 ⓘ |
| commemorates | victims of the September 11, 2001 attacks ⓘ |
| commissionedBy |
Lincoln Center
NERFINISHED
ⓘ
New York Philharmonic NERFINISHED ⓘ |
| composer | John Adams NERFINISHED ⓘ |
| conductorAtPremiere | Lorin Maazel NERFINISHED ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| dedicatedTo | memory of the victims of the September 11, 2001 attacks ⓘ |
| duration | approximately 25 minutes ⓘ |
| features |
recorded street sounds
ⓘ
recorded voices ⓘ |
| genre | contemporary classical music ⓘ |
| hasInstrumentation |
children's chorus
ⓘ
large orchestra ⓘ mixed chorus ⓘ pre-recorded tape ⓘ |
| hasPart |
choral climaxes
ⓘ
orchestral introduction ⓘ sections with spoken names ⓘ |
| isPartOf | John Adams’ orchestral and choral output ⓘ |
| language | English ⓘ |
| movementStructure | single-movement work ⓘ |
| notablePerformance | New York Philharmonic 2002 premiere ⓘ |
| placeOfFirstPerformance | New York City NERFINISHED ⓘ |
| premiereDate | 2002-09-19 ⓘ |
| premieredBy | New York Philharmonic NERFINISHED ⓘ |
| premierePlace | New York City NERFINISHED ⓘ |
| premiereVenue | Avery Fisher Hall NERFINISHED ⓘ |
| publisher | Boosey & Hawkes NERFINISHED ⓘ |
| recordedBy | New York Philharmonic NERFINISHED ⓘ |
| recordedLabel | Nonesuch Records NERFINISHED ⓘ |
| scoredFor |
chorus
ⓘ
orchestra ⓘ pre-recorded sounds ⓘ |
| style | postminimalism ⓘ |
| subject | September 11 attacks NERFINISHED ⓘ |
| textSource |
interviews with New Yorkers
ⓘ
missing-persons posters ⓘ names of victims of the September 11 attacks ⓘ |
| usesTechnique |
sound collage
ⓘ
spatialized sound ⓘ |
| yearOfComposition | 2002 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: On the Transmigration of Souls Description of subject: On the Transmigration of Souls is a Pulitzer Prize–winning commemorative work for orchestra, chorus, and prerecorded sounds by John Adams, written to honor the victims of the September 11, 2001 attacks.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.