Strange and Sacred Noise

E478649

Strange and Sacred Noise is a percussion-focused contemporary classical composition by American composer John Luther Adams, known for its exploration of rhythm, timbre, and the natural soundscape.

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Statements (40)

Predicate Object
instanceOf contemporary classical composition
musical composition
associatedWith environmental music aesthetics
postminimalism
composer John Luther Adams NERFINISHED
countryOfOrigin United States of America
surface form: United States
criticalReception noted for immersive sound world
praised for innovative percussion writing
focusesOn percussion
hasRecording Strange and Sacred Noise (Cold Blue Music release) NERFINISHED
hasSubject perception of natural phenomena through sound
relationship between noise and silence
influencedBy Alaskan environment
natural landscapes
intendedEnsembleSize small to medium percussion ensemble
language none (instrumental)
movement ...and dust rising... NERFINISHED
...and dust settling... NERFINISHED
purification of the temple
strange and sacred noise
triadic iteration lattices
velocities crossing in phase-space
notableFor evocation of natural soundscapes
exploration of rhythm
exploration of timbre
partOf John Luther Adams percussion cycle NERFINISHED
period late 20th century
premiereYear 1997
primaryGenre contemporary classical music
percussion music
publisher Taiga Press NERFINISHED
recordingLabel New World Records NERFINISHED
relatedWork Inuksuit NERFINISHED
The Mathematics of Resonant Bodies NERFINISHED
scoring percussion ensemble
structure multi-movement work
typicalDuration approximately 60 minutes
usesTechnique complex rhythmic layering
extended techniques for percussion
spatialized sound

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Full triples — surface form annotated when it differs from this entity's canonical label.

John Luther Adams notableWork Strange and Sacred Noise