Gallantry and Criminal Conversation

E471261

"Gallantry and Criminal Conversation" is a sculptural installation by British-Nigerian artist Yinka Shonibare that reimagines 18th-century aristocratic figures in headless, Dutch wax–print costumes to critique colonialism, class, and race.

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Statements (48)

Predicate Object
instanceOf contemporary artwork
sculptural installation
artHistoricalContext African diaspora art
British art
artisticMethod appropriation of 18th-century imagery
reimagining historical scenes
associatedWith Yinka Shonibare CBE NERFINISHED
costumePattern African-inspired Dutch wax prints
costumeStyle 18th-century European fashion
countryOfOrigin United Kingdom
creator Yinka Shonibare NERFINISHED
creatorNationality British-Nigerian
critiques European colonialism
class hierarchy
imperial power structures
racial hierarchy
culturalContext postcolonial discourse
depicts 18th-century aristocratic figures
European aristocracy
genre conceptual art
installation art
hasPart figures in elaborate costumes
headless mannequins
intendedEffect critique of colonial histories
destabilization of racial stereotypes
questioning of aristocratic privilege
languageOfTitle English
mainTheme class
colonialism
cultural hybridity
identity
postcolonial critique
power relations
race
movement contemporary art
relatedConcept colonial trade
criminal conversation
gallantry
globalization
relatedWorkByArtist Scramble for Africa NERFINISHED
The Swing (after Fragonard) NERFINISHED
subjectMatter 18th-century European social life
sexual and social scandal
title Gallantry and Criminal Conversation NERFINISHED
usesMaterial Dutch wax print fabric
mannequins
visualFeature brightly colored textiles
headless figures

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Yinka Shonibare notableWork Gallantry and Criminal Conversation