The Swing (after Fragonard)

E471259

The Swing (after Fragonard) is a contemporary sculptural installation by Yinka Shonibare that reimagines Fragonard’s Rococo painting using a headless mannequin in African wax-print fabrics to explore themes of colonialism, class, and identity.

Try in SPARQL Jump to: Statements Referenced by

Statements (46)

Predicate Object
instanceOf contemporary artwork
sculptural installation
artHistoricalContext dialogue with Rococo painting
artistNationalityOfCreator British-Nigerian
artMovement contemporary art
associatedWith Black British art
diasporic identity
postcolonial art discourse
basedOn The Swing NERFINISHED
colorPalette vibrant multicolored patterns
countryOfOrigin United Kingdom
creator Yinka Shonibare NERFINISHED
critiques European aristocratic privilege
European colonial history
depicts headless female figure
depictsTimePeriod 18th-century aristocratic leisure
displayContext museum exhibitions of contemporary art
exhibitionType gallery installation
features brightly colored textiles
dynamic suspended swing
headless mannequin
genre installation art
inspiredBy Jean-Honoré Fragonard NERFINISHED
languageOfTitle English
notableElement absence of the figure’s head
questions Western canon of art history
notions of authenticity in cultural identity
reimagines Fragonard’s Rococo painting The Swing NERFINISHED
reinterprets Rococo aesthetics
requires architectural support for suspended swing
symbolizes erasure of individual identity under colonialism
hybrid cultural identity
theme class
colonialism
consumerism
gender
globalization
luxury and leisure
postcolonial identity
power relations
race
usesMedium African wax-print fabric
fiberglass mannequin
rope
swing
visualContrast European Rococo style and African textiles

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Yinka Shonibare notableWork The Swing (after Fragonard)