The Swing (after Fragonard)
E471259
The Swing (after Fragonard) is a contemporary sculptural installation by Yinka Shonibare that reimagines Fragonard’s Rococo painting using a headless mannequin in African wax-print fabrics to explore themes of colonialism, class, and identity.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Swing (after Fragonard) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T4820817 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: The Swing (after Fragonard) Context triple: [Yinka Shonibare, notableWork, The Swing (after Fragonard)]
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A.
Portrait of Antoine Watteau
"Portrait of Antoine Watteau" is an 18th-century pastel portrait by Venetian Rococo artist Rosalba Carriera depicting the French painter Jean-Antoine Watteau.
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B.
Portrait of the Duchess of Berry
Portrait of the Duchess of Berry is a Baroque-era oil painting by French artist Nicolas de Largillière depicting the aristocratic Duchess in lavish courtly attire.
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C.
The Painter's Studio
The Painter's Studio is a large, allegorical 1855 oil painting by Gustave Courbet that presents a symbolic panorama of mid-19th-century French society gathered around the artist at work.
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D.
Madame Cézanne with a Fan
"Madame Cézanne with a Fan" is a portrait painting by Paul Cézanne depicting his wife, Hortense Fiquet, seated and holding a fan in his characteristic post-Impressionist style.
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E.
Still Life with a Silver Jug
Still Life with a Silver Jug is a 17th-century Dutch still-life painting by Willem Kalf, celebrated for its luxurious objects, rich color, and meticulous rendering of light and texture.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: The Swing (after Fragonard) Target entity description: The Swing (after Fragonard) is a contemporary sculptural installation by Yinka Shonibare that reimagines Fragonard’s Rococo painting using a headless mannequin in African wax-print fabrics to explore themes of colonialism, class, and identity.
-
A.
Portrait of Antoine Watteau
"Portrait of Antoine Watteau" is an 18th-century pastel portrait by Venetian Rococo artist Rosalba Carriera depicting the French painter Jean-Antoine Watteau.
-
B.
Portrait of the Duchess of Berry
Portrait of the Duchess of Berry is a Baroque-era oil painting by French artist Nicolas de Largillière depicting the aristocratic Duchess in lavish courtly attire.
-
C.
The Painter's Studio
The Painter's Studio is a large, allegorical 1855 oil painting by Gustave Courbet that presents a symbolic panorama of mid-19th-century French society gathered around the artist at work.
-
D.
Madame Cézanne with a Fan
"Madame Cézanne with a Fan" is a portrait painting by Paul Cézanne depicting his wife, Hortense Fiquet, seated and holding a fan in his characteristic post-Impressionist style.
-
E.
Still Life with a Silver Jug
Still Life with a Silver Jug is a 17th-century Dutch still-life painting by Willem Kalf, celebrated for its luxurious objects, rich color, and meticulous rendering of light and texture.
- F. None of above. chosen
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
contemporary artwork
ⓘ
sculptural installation ⓘ |
| artHistoricalContext | dialogue with Rococo painting ⓘ |
| artistNationalityOfCreator | British-Nigerian ⓘ |
| artMovement | contemporary art ⓘ |
| associatedWith |
Black British art
ⓘ
diasporic identity ⓘ postcolonial art discourse ⓘ |
| basedOn | The Swing NERFINISHED ⓘ |
| colorPalette | vibrant multicolored patterns ⓘ |
| countryOfOrigin | United Kingdom ⓘ |
| creator | Yinka Shonibare NERFINISHED ⓘ |
| critiques |
European aristocratic privilege
ⓘ
European colonial history ⓘ |
| depicts | headless female figure ⓘ |
| depictsTimePeriod | 18th-century aristocratic leisure ⓘ |
| displayContext | museum exhibitions of contemporary art ⓘ |
| exhibitionType | gallery installation ⓘ |
| features |
brightly colored textiles
ⓘ
dynamic suspended swing ⓘ headless mannequin ⓘ |
| genre | installation art ⓘ |
| inspiredBy | Jean-Honoré Fragonard NERFINISHED ⓘ |
| languageOfTitle | English ⓘ |
| notableElement | absence of the figure’s head ⓘ |
| questions |
Western canon of art history
ⓘ
notions of authenticity in cultural identity ⓘ |
| reimagines | Fragonard’s Rococo painting The Swing NERFINISHED ⓘ |
| reinterprets | Rococo aesthetics ⓘ |
| requires | architectural support for suspended swing ⓘ |
| symbolizes |
erasure of individual identity under colonialism
ⓘ
hybrid cultural identity ⓘ |
| theme |
class
ⓘ
colonialism ⓘ consumerism ⓘ gender ⓘ globalization ⓘ luxury and leisure ⓘ postcolonial identity ⓘ power relations ⓘ race ⓘ |
| usesMedium |
African wax-print fabric
ⓘ
fiberglass mannequin ⓘ rope ⓘ swing ⓘ |
| visualContrast | European Rococo style and African textiles ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: The Swing (after Fragonard) Description of subject: The Swing (after Fragonard) is a contemporary sculptural installation by Yinka Shonibare that reimagines Fragonard’s Rococo painting using a headless mannequin in African wax-print fabrics to explore themes of colonialism, class, and identity.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.