Rue Transnonain, le 15 avril 1834
E471241
Rue Transnonain, le 15 avril 1834 is a powerful 1834 lithograph by Honoré Daumier depicting the brutal aftermath of a French government massacre during a workers’ uprising, and is celebrated as a landmark of political protest art.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Rue Transnonain, le 15 avril 1834 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T4820714 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Rue Transnonain, le 15 avril 1834 Context triple: [Honoré Daumier, notableWork, Rue Transnonain, le 15 avril 1834]
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A.
Rue des Martyrs
Rue des Martyrs is a historic, bustling Parisian street known for its traditional food shops, cafés, and village-like atmosphere linking the 9th arrondissement to Montmartre.
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B.
Place du 1er Novembre
Place du 1er Novembre is a central historic square in Oran, Algeria, known for its colonial-era architecture and role as a focal point of civic and cultural life in the city.
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C.
Place de Fontenoy
Place de Fontenoy is a prominent square in Paris’s 7th arrondissement, best known as the site of UNESCO’s main headquarters near the École Militaire and the Champ de Mars.
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D.
Journée des Barricades
Journée des Barricades was a major 1588 uprising in Paris during the French Wars of Religion, when Catholic League supporters erected barricades and forced King Henry III to flee the city.
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E.
Place de Valenciennes
Place de Valenciennes is a small public square in Paris, France, located near Rue de Dunkerque in the 10th arrondissement.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Rue Transnonain, le 15 avril 1834 Target entity description: Rue Transnonain, le 15 avril 1834 is a powerful 1834 lithograph by Honoré Daumier depicting the brutal aftermath of a French government massacre during a workers’ uprising, and is celebrated as a landmark of political protest art.
-
A.
Rue des Martyrs
Rue des Martyrs is a historic, bustling Parisian street known for its traditional food shops, cafés, and village-like atmosphere linking the 9th arrondissement to Montmartre.
-
B.
Place du 1er Novembre
Place du 1er Novembre is a central historic square in Oran, Algeria, known for its colonial-era architecture and role as a focal point of civic and cultural life in the city.
-
C.
Place de Fontenoy
Place de Fontenoy is a prominent square in Paris’s 7th arrondissement, best known as the site of UNESCO’s main headquarters near the École Militaire and the Champ de Mars.
-
D.
Journée des Barricades
Journée des Barricades was a major 1588 uprising in Paris during the French Wars of Religion, when Catholic League supporters erected barricades and forced King Henry III to flee the city.
-
E.
Place de Valenciennes
Place de Valenciennes is a small public square in Paris, France, located near Rue de Dunkerque in the 10th arrondissement.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
lithograph
ⓘ
political artwork ⓘ protest art ⓘ |
| artHistoricalStatus | canonical work of 19th-century political art ⓘ |
| associatedWith |
French labor movement
NERFINISHED
ⓘ
press freedom debates in 19th-century France ⓘ |
| countryOfOrigin | France ⓘ |
| creator | Honoré Daumier NERFINISHED ⓘ |
| creatorNationality | French ⓘ |
| depictionType | narrative scene ⓘ |
| depicts |
aftermath of a massacre
ⓘ
body of a man crushed over a child ⓘ civilian casualties ⓘ dead workers ⓘ interior of a working-class apartment ⓘ victims of state violence ⓘ |
| depictsEvent |
April 1834 workers’ uprising in Paris
ⓘ
French government repression of workers ⓘ |
| genre |
political satire
ⓘ
social realism ⓘ |
| hasInfluenced |
later political graphic art
ⓘ
tradition of socially engaged printmaking ⓘ |
| historicalContext | July Monarchy of Louis-Philippe NERFINISHED ⓘ |
| inception | 1834 ⓘ |
| inCollection |
National Gallery of Art, Washington
NERFINISHED
ⓘ
Philadelphia Museum of Art NERFINISHED ⓘ various major print collections ⓘ |
| inspiredBy | real events of April 15, 1834 ⓘ |
| languageOfTitle | French ⓘ |
| locationOfEventDepicted | Rue Transnonain, Paris NERFINISHED ⓘ |
| medium | lithography ⓘ |
| movement | French political caricature ⓘ |
| notableFor |
censorship by French authorities
ⓘ
graphic depiction of a government massacre ⓘ landmark in political protest art ⓘ |
| originalProductionPlace | Paris NERFINISHED ⓘ |
| politicalTheme |
anti-government repression
ⓘ
critique of state violence ⓘ workers’ rights ⓘ |
| publisher | La Caricature NERFINISHED ⓘ |
| rights | public domain ⓘ |
| subjectMatter |
class conflict
ⓘ
state repression ⓘ urban working class ⓘ |
| technique | black-and-white lithograph ⓘ |
| timeOfDayDepicted | night or early morning raid ⓘ |
| title | Rue Transnonain, le 15 avril 1834 NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Rue Transnonain, le 15 avril 1834 Description of subject: Rue Transnonain, le 15 avril 1834 is a powerful 1834 lithograph by Honoré Daumier depicting the brutal aftermath of a French government massacre during a workers’ uprising, and is celebrated as a landmark of political protest art.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.