Dusasa I
E466174
Dusasa I is a monumental shimmering wall sculpture composed of thousands of recycled bottle caps and metal fragments, exemplifying El Anatsui’s signature transformation of discarded materials into intricate, tapestry-like artworks.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Dusasa I canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T4745664 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Dusasa I Context triple: [El Anatsui, notableWork, Dusasa I]
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A.
Garki I
Garki I is an administrative district within the Garki area of Abuja, Nigeria.
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B.
Sheko
Sheko is an Omotic language spoken primarily in southwestern Ethiopia by the Sheko people.
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C.
Kabaka
Kabaka is the traditional monarch and cultural leader of the Buganda people in present-day Uganda.
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D.
Kabaka Yekka
Kabaka Yekka was a monarchist political party in early post-independence Uganda that primarily represented the interests of the Buganda kingdom and its traditional institutions.
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E.
Ezana of Aksum
Ezana of Aksum was a 4th-century king of the Aksumite Empire renowned as one of the first African rulers to adopt Christianity and promote it as a state religion.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Dusasa I Target entity description: Dusasa I is a monumental shimmering wall sculpture composed of thousands of recycled bottle caps and metal fragments, exemplifying El Anatsui’s signature transformation of discarded materials into intricate, tapestry-like artworks.
-
A.
Garki I
Garki I is an administrative district within the Garki area of Abuja, Nigeria.
-
B.
Sheko
Sheko is an Omotic language spoken primarily in southwestern Ethiopia by the Sheko people.
-
C.
Kabaka
Kabaka is the traditional monarch and cultural leader of the Buganda people in present-day Uganda.
-
D.
Kabaka Yekka
Kabaka Yekka was a monarchist political party in early post-independence Uganda that primarily represented the interests of the Buganda kingdom and its traditional institutions.
-
E.
Ezana of Aksum
Ezana of Aksum was a 4th-century king of the Aksumite Empire renowned as one of the first African rulers to adopt Christianity and promote it as a state religion.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
artwork
ⓘ
metal tapestry ⓘ wall sculpture ⓘ |
| artForm |
installation art
ⓘ
sculpture ⓘ |
| associatedRegion | Ghana NERFINISHED ⓘ |
| associatedWith | El Anatsui’s bottle-cap series NERFINISHED ⓘ |
| belongsToSeries | Dusasa series NERFINISHED ⓘ |
| colorCharacteristic | shimmering ⓘ |
| conceptualFocus |
colonial and postcolonial histories
ⓘ
cultural interconnectedness ⓘ value of discarded materials ⓘ |
| countryOfOrigin | Nigeria NERFINISHED ⓘ |
| creator | El Anatsui NERFINISHED ⓘ |
| culturalContext | West African art NERFINISHED ⓘ |
| depicts | abstract composition ⓘ |
| displayType | wall-hung sculpture ⓘ |
| edgeTreatment | irregular, draped edges ⓘ |
| exhibitionContext |
international art shows
ⓘ
museum exhibitions ⓘ |
| genre | contemporary art ⓘ |
| hasDimension | large-scale ⓘ |
| influencedBy |
kente cloth aesthetics
ⓘ
traditional Ghanaian textiles ⓘ |
| lightingEffect | reflective, shimmering surface ⓘ |
| madeFromWaste | yes ⓘ |
| materialUsed |
metal fragments
ⓘ
recycled bottle caps ⓘ |
| movement | contemporary African art ⓘ |
| notableFor |
blurring boundaries between sculpture and textile
ⓘ
labor-intensive hand construction ⓘ use of thousands of small metal units ⓘ |
| productionMethod | manual assembly of metal pieces ⓘ |
| relatedWork |
Dusasa II
NERFINISHED
ⓘ
Dusasa III NERFINISHED ⓘ |
| requires | wall support for display ⓘ |
| surfaceQuality |
flexible metal surface
ⓘ
textile-like appearance ⓘ |
| technique |
assemblage
ⓘ
weaving of metal elements ⓘ wire stitching ⓘ |
| theme |
global consumerism
ⓘ
history and memory ⓘ recycling and reuse ⓘ transformation of discarded materials ⓘ |
| visualCharacteristic |
monumental scale
ⓘ
tapestry-like ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Dusasa I Description of subject: Dusasa I is a monumental shimmering wall sculpture composed of thousands of recycled bottle caps and metal fragments, exemplifying El Anatsui’s signature transformation of discarded materials into intricate, tapestry-like artworks.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.