After Mondrian
E462212
After Mondrian is a conceptual art series by Sherrie Levine in which she re-photographs and appropriates Piet Mondrian’s works to critique authorship and originality in modern art.
Statements (30)
| Predicate | Object |
|---|---|
| instanceOf |
appropriation art
ⓘ
conceptual art series ⓘ |
| artForm | photographic series ⓘ |
| artHistoricalContext | late 20th-century conceptual practices ⓘ |
| artisticMedium |
photography
ⓘ
re-photography ⓘ |
| basedOn | works by Piet Mondrian ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| creator | Sherrie Levine NERFINISHED ⓘ |
| genre | conceptual art ⓘ |
| hasPart | individual photographs of Mondrian paintings ⓘ |
| influencedBy |
Piet Mondrian’s abstract compositions
ⓘ
modernism ⓘ |
| inspiredBy | Piet Mondrian NERFINISHED ⓘ |
| intendedMeaning |
critique of originality in modern art
ⓘ
interrogation of authorship and ownership ⓘ questioning the notion of the unique art object ⓘ |
| languageOfWork | nonverbal ⓘ |
| mainSubject |
artistic authorship critique
ⓘ
authorship in art ⓘ modernist painting ⓘ originality in art ⓘ reproduction in art ⓘ |
| movement |
Appropriation art
ⓘ
Postmodern art NERFINISHED ⓘ |
| notableWorkOf | Sherrie Levine NERFINISHED ⓘ |
| relatedWork |
After Walker Evans
ⓘ
Sherrie Levine’s appropriation series NERFINISHED ⓘ |
| usesTechnique |
appropriation
ⓘ
re-photographing existing artworks ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.