The Coronation of the Virgin (Capodimonte)

E458667

The Coronation of the Virgin (Capodimonte) is a major late-16th-century altarpiece by Annibale Carracci that exemplifies his influential blend of naturalism and classical harmony in Baroque religious painting.

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All labels observed (1)

Label Occurrences
The Coronation of the Virgin (Capodimonte) canonical 1

Statements (44)

Predicate Object
instanceOf altarpiece
painting
religious painting
artisticStyle classical harmony
classicizing Baroque
naturalism
associatedWith Catholic Counter-Reformation art
colorPalette rich yet balanced chromatic range
compositionCharacteristic dynamic yet harmonious arrangement
countryOfOrigin Italy
creator Annibale Carracci NERFINISHED
depicts Christ NERFINISHED
Coronation of the Virgin NERFINISHED
God the Father NERFINISHED
Holy Spirit NERFINISHED
Virgin Mary
angels
saints
genre Baroque painting
hasLanguage none
hasTitle Coronation of the Virgin (Capodimonte) NERFINISHED
The Coronation of the Virgin NERFINISHED
iconographicTheme Glorification of the Virgin
inception late 16th century
influencedBy High Renaissance art NERFINISHED
classical antiquity
lightingCharacteristic dramatic but controlled chiaroscuro
locatedInTheAdministrativeTerritorialEntity Naples NERFINISHED
locatedInTheCountry Italy NERFINISHED
location Museo di Capodimonte NERFINISHED
materialUsed oil paint
movement Baroque
Bolognese School NERFINISHED
notableWorkOf Annibale Carracci NERFINISHED
originalFunction altarpiece
partOf collection of the Museo di Capodimonte
period late 16th century Italian art
religion Roman Catholicism
surface form: Catholicism
significance important example of early Baroque altarpiece design
major work in Annibale Carracci’s religious oeuvre
subjectHeading Marian art
support canvas
use devotional image
liturgical context

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

Annibale Carracci notableWork The Coronation of the Virgin (Capodimonte)