Assumption of the Virgin (Cerasi Chapel)
E458661
Assumption of the Virgin (Cerasi Chapel) is a Baroque altarpiece painting by Annibale Carracci depicting the Virgin Mary’s ascent into heaven, created for the Cerasi Chapel in Santa Maria del Popolo in Rome.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Assumption of the Virgin (Cerasi Chapel) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T4633073 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Assumption of the Virgin (Cerasi Chapel) Context triple: [Annibale Carracci, notableWork, Assumption of the Virgin (Cerasi Chapel)]
-
A.
Madonna di San Sisto
Madonna di San Sisto is a renowned High Renaissance oil painting by Raphael, celebrated for its serene depiction of the Virgin and Child flanked by saints and two iconic cherubs.
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B.
Pietà Chapel
The Pietà Chapel is a side chapel within St. Peter’s Basilica in Vatican City, best known for housing Michelangelo’s renowned marble sculpture of the Pietà.
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C.
Contarelli Chapel
The Contarelli Chapel is a renowned side chapel in Rome’s Church of San Luigi dei Francesi, famous for housing Caravaggio’s influential cycle of paintings on the life of Saint Matthew.
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D.
Assumption of the Virgin (dome fresco)
Assumption of the Virgin (dome fresco) is a monumental late Renaissance ceiling painting by Correggio in Parma Cathedral, celebrated for its dramatic illusionistic perspective and swirling heavenly ascent of the Virgin Mary.
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E.
Pazzi Chapel
The Pazzi Chapel is a renowned early Renaissance chapel in Florence, Italy, celebrated for its harmonious proportions and pioneering use of classical architectural elements.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Assumption of the Virgin (Cerasi Chapel) Target entity description: Assumption of the Virgin (Cerasi Chapel) is a Baroque altarpiece painting by Annibale Carracci depicting the Virgin Mary’s ascent into heaven, created for the Cerasi Chapel in Santa Maria del Popolo in Rome.
-
A.
Madonna di San Sisto
Madonna di San Sisto is a renowned High Renaissance oil painting by Raphael, celebrated for its serene depiction of the Virgin and Child flanked by saints and two iconic cherubs.
-
B.
Pietà Chapel
The Pietà Chapel is a side chapel within St. Peter’s Basilica in Vatican City, best known for housing Michelangelo’s renowned marble sculpture of the Pietà.
-
C.
Contarelli Chapel
The Contarelli Chapel is a renowned side chapel in Rome’s Church of San Luigi dei Francesi, famous for housing Caravaggio’s influential cycle of paintings on the life of Saint Matthew.
-
D.
Assumption of the Virgin (dome fresco)
Assumption of the Virgin (dome fresco) is a monumental late Renaissance ceiling painting by Correggio in Parma Cathedral, celebrated for its dramatic illusionistic perspective and swirling heavenly ascent of the Virgin Mary.
-
E.
Pazzi Chapel
The Pazzi Chapel is a renowned early Renaissance chapel in Florence, Italy, celebrated for its harmonious proportions and pioneering use of classical architectural elements.
- F. None of above. chosen
Statements (41)
| Predicate | Object |
|---|---|
| instanceOf |
Baroque painting
ⓘ
altarpiece painting ⓘ |
| artisticSchool | Bolognese school NERFINISHED ⓘ |
| commissionedBy | Tiberio Cerasi NERFINISHED ⓘ |
| country | Italy ⓘ |
| creator | Annibale Carracci NERFINISHED ⓘ |
| dedicatedTo | Virgin Mary ⓘ |
| depicts |
Assumption of the Virgin Mary
NERFINISHED
ⓘ
Virgin Mary ⓘ |
| followsIconographyOf | Assumption of Mary NERFINISHED ⓘ |
| genre | religious painting ⓘ |
| hasArtHistoricalContext | Counter-Reformation art ⓘ |
| hasArtHistoricalSignificance |
important example of early Baroque altar painting in Rome
ⓘ
key work in Annibale Carracci’s Roman period ⓘ |
| hasArtisticFeature |
dynamic diagonals
ⓘ
rich color palette ⓘ strong chiaroscuro ⓘ |
| hasCompositionFeature | division between earthly zone and heavenly zone ⓘ |
| hasInfluenceOn | later Baroque Marian altarpieces ⓘ |
| hasLanguageOfInscriptions | Latin ⓘ |
| hasLiturgicalContext | Catholic devotion to the Virgin Mary ⓘ |
| hasLiturgicalFunction | altar image ⓘ |
| hasPatronageContext | private chapel commission ⓘ |
| hasPerspective | low viewpoint emphasizing upward movement ⓘ |
| hasSetting | interior of a church ⓘ |
| hasSubject |
Virgin Mary ascending to heaven
NERFINISHED
ⓘ
apostles ⓘ |
| hasTheme |
glorification of the Virgin Mary
ⓘ
triumph over death ⓘ |
| hasType | altarpiece ⓘ |
| isComparedWith |
Conversion of Saint Paul (Cerasi Chapel)
NERFINISHED
ⓘ
Crucifixion of Saint Peter (Cerasi Chapel) NERFINISHED ⓘ |
| locatedIn |
Rome
ⓘ
Santa Maria del Popolo NERFINISHED ⓘ |
| location | Cerasi Chapel NERFINISHED ⓘ |
| movement | Baroque ⓘ |
| partOf | decoration of the Cerasi Chapel ⓘ |
| positionInChapel | high altar ⓘ |
| religion |
Roman Catholicism
ⓘ
surface form:
Catholicism
|
| support | panel ⓘ |
| usesMedium | oil paint ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Assumption of the Virgin (Cerasi Chapel) Description of subject: Assumption of the Virgin (Cerasi Chapel) is a Baroque altarpiece painting by Annibale Carracci depicting the Virgin Mary’s ascent into heaven, created for the Cerasi Chapel in Santa Maria del Popolo in Rome.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.