Countess Almaviva in Mozart’s "Le nozze di Figaro"
E449985
Countess Almaviva in Mozart’s "Le nozze di Figaro" is a noblewoman and central soprano role whose emotional depth, dignity, and forgiveness anchor the opera’s blend of comedy and social critique.
All labels observed (2)
| Label | Occurrences |
|---|---|
| Countess Almaviva in Le nozze di Figaro | 1 |
| Countess Almaviva in Mozart’s "Le nozze di Figaro" canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T4525676 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Countess Almaviva in Mozart’s "Le nozze di Figaro" Context triple: [Renée Fleming, notableRole, Countess Almaviva in Mozart’s "Le nozze di Figaro"]
-
A.
The Marriage of Figaro
The Marriage of Figaro is a celebrated comic opera in four acts by Wolfgang Amadeus Mozart, renowned for its intricate ensemble writing, social satire, and enduring popularity in the operatic repertoire.
-
B.
Così fan tutte
Così fan tutte is a comic opera by Wolfgang Amadeus Mozart, renowned for its intricate ensemble writing, witty exploration of love and fidelity, and collaboration with librettist Lorenzo Da Ponte.
-
C.
Capriccio
Capriccio is a late opera by Richard Strauss that explores the primacy of words versus music in opera through an elegant, conversational “conversation piece” set in 18th-century France.
-
D.
Don Giovanni
Don Giovanni is a renowned opera by Wolfgang Amadeus Mozart that blends dark comedy and drama in the tale of the libertine nobleman Don Juan.
-
E.
The Aspern Papers (opera)
The Aspern Papers (opera) is a contemporary opera adaptation of Henry James's novella, focusing on themes of obsession, secrecy, and the pursuit of artistic legacy.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Countess Almaviva in Mozart’s "Le nozze di Figaro" Target entity description: Countess Almaviva in Mozart’s "Le nozze di Figaro" is a noblewoman and central soprano role whose emotional depth, dignity, and forgiveness anchor the opera’s blend of comedy and social critique.
-
A.
The Marriage of Figaro
The Marriage of Figaro is a celebrated comic opera in four acts by Wolfgang Amadeus Mozart, renowned for its intricate ensemble writing, social satire, and enduring popularity in the operatic repertoire.
-
B.
Così fan tutte
Così fan tutte is a comic opera by Wolfgang Amadeus Mozart, renowned for its intricate ensemble writing, witty exploration of love and fidelity, and collaboration with librettist Lorenzo Da Ponte.
-
C.
Capriccio
Capriccio is a late opera by Richard Strauss that explores the primacy of words versus music in opera through an elegant, conversational “conversation piece” set in 18th-century France.
-
D.
Don Giovanni
Don Giovanni is a renowned opera by Wolfgang Amadeus Mozart that blends dark comedy and drama in the tale of the libertine nobleman Don Juan.
-
E.
The Aspern Papers (opera)
The Aspern Papers (opera) is a contemporary opera adaptation of Henry James's novella, focusing on themes of obsession, secrecy, and the pursuit of artistic legacy.
- F. None of above. chosen
Statements (50)
| Predicate | Object |
|---|---|
| instanceOf |
fictional character
ⓘ
noblewoman ⓘ opera character ⓘ soprano role ⓘ |
| appearsIn |
Le nozze di Figaro
NERFINISHED
ⓘ
The Marriage of Figaro NERFINISHED ⓘ |
| appearsInAct |
Act II of Le nozze di Figaro
NERFINISHED
ⓘ
Act III of Le nozze di Figaro NERFINISHED ⓘ Act IV of Le nozze di Figaro NERFINISHED ⓘ |
| aria |
Dove sono i bei momenti
ⓘ
Porgi, amor, qualche ristoro ⓘ |
| basedOnCharacterFrom | La folle journée, ou le Mariage de Figaro NERFINISHED ⓘ |
| basedOnPlayBy | Pierre-Augustin Caron de Beaumarchais NERFINISHED ⓘ |
| centralThemeAssociation |
female agency
ⓘ
forgiveness ⓘ marital fidelity ⓘ social hierarchy ⓘ |
| characterTrait |
dignified
ⓘ
emotionally vulnerable ⓘ forgiving ⓘ intelligent ⓘ melancholic ⓘ |
| createdBy | Wolfgang Amadeus Mozart NERFINISHED ⓘ |
| dramaticFunction |
agent of forgiveness in the finale
ⓘ
contrasts with comic elements of opera buffa ⓘ embodies dignity and emotional depth ⓘ exposes marital infidelity of Count Almaviva ⓘ highlights social tensions between classes ⓘ |
| duetWith | Susanna NERFINISHED ⓘ |
| employerOf | Figaro NERFINISHED ⓘ |
| ensembleNumber |
Canzonetta sull’aria
NERFINISHED
ⓘ
Sull’aria… che soave zeffiretto ⓘ |
| languageOfOpera | Italian ⓘ |
| librettoBy | Lorenzo Da Ponte NERFINISHED ⓘ |
| musicalStyle | Classical period opera ⓘ |
| notableInterpreter |
Elisabeth Schwarzkopf
NERFINISHED
ⓘ
Kiri Te Kanawa NERFINISHED ⓘ Renée Fleming NERFINISHED ⓘ |
| operaGenreContext | opera buffa ⓘ |
| premiereOperaDate | 1786-05-01 ⓘ |
| premiereOperaPlace | Burgtheater, Vienna NERFINISHED ⓘ |
| relationshipWith |
employer and ally of Figaro
ⓘ
patron and protector of Susanna ⓘ victim of Count Almaviva’s infidelity ⓘ |
| residence | Almaviva estate near Seville NERFINISHED ⓘ |
| sceneFunction | central emotional focus of the opera ⓘ |
| socialClass | aristocracy ⓘ |
| spouseOf | Count Almaviva NERFINISHED ⓘ |
| timeSetting | 18th-century Spain ⓘ |
| vocalFach | lyric soprano ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Countess Almaviva in Mozart’s "Le nozze di Figaro" Description of subject: Countess Almaviva in Mozart’s "Le nozze di Figaro" is a noblewoman and central soprano role whose emotional depth, dignity, and forgiveness anchor the opera’s blend of comedy and social critique.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.