Ottoman makam system
E448602
The Ottoman makam system is a sophisticated modal framework that organizes melody, pitch, and improvisation in classical Ottoman and Turkish music.
Observed surface forms (1)
| Surface form | Occurrences |
|---|---|
| Ottoman-Turkish makam tradition | 1 |
Statements (59)
| Predicate | Object |
|---|---|
| instanceOf |
musical modal system
ⓘ
theoretical framework ⓘ |
| associatedWithInstrument |
kanun
NERFINISHED
ⓘ
kemençe ⓘ ney ⓘ oud ⓘ tanbur ⓘ |
| codifiedBy |
H. Sadettin Arel
NERFINISHED
ⓘ
Hampartsum Limonciyan NERFINISHED ⓘ Rauf Yekta NERFINISHED ⓘ Suphi Ezgi NERFINISHED ⓘ |
| coreConcept |
aşırma (modulation)
ⓘ
durak (finalis) ⓘ güçlü (dominant tone) ⓘ inici seyir ⓘ karar (cadence) ⓘ karışık seyir ⓘ makam ⓘ seyir ⓘ usul (rhythmic cycle) ⓘ çıkıcı seyir ⓘ |
| developedIn | Ottoman Empire NERFINISHED ⓘ |
| historicalLanguageOfTheory |
Arabic
ⓘ
Ottoman Turkish NERFINISHED ⓘ Persian ⓘ |
| includesMakam |
Acem makam
ⓘ
Buselik makam NERFINISHED ⓘ Hicaz makam ⓘ Hicazkar makam NERFINISHED ⓘ Hüseyni makam NERFINISHED ⓘ Kürdî makam ⓘ Mahur makam NERFINISHED ⓘ Nihavent makam NERFINISHED ⓘ Rast makam NERFINISHED ⓘ Saba makam NERFINISHED ⓘ Segah makam NERFINISHED ⓘ Suzidil makam NERFINISHED ⓘ Uşşak makam ⓘ |
| influenced |
Balkan urban music traditions
ⓘ
modern Turkish art music theory ⓘ |
| organizes |
improvisation
ⓘ
melody ⓘ pitch ⓘ |
| relatedTo |
Arabic maqam system
ⓘ
Byzantine echoi ⓘ Persian dastgah system ⓘ |
| supportsPractice |
bestenigar (composition)
ⓘ
taksim (improvisation) ⓘ |
| timePeriodOfMajorDevelopment |
17th century
ⓘ
18th century ⓘ 19th century ⓘ |
| usedIn |
Mevlevi music
ⓘ
Ottoman classical music NERFINISHED ⓘ Ottoman court music NERFINISHED ⓘ Turkish classical music ⓘ |
| usesConcept |
comma-based tuning
ⓘ
microtonal intervals ⓘ pentachord ⓘ tetrachord ⓘ |
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.
this entity surface form:
Ottoman-Turkish makam tradition