Instead of allowing some thing to rise up to your face dancing bruce and dan and other things
E444034
"Instead of allowing some thing to rise up to your face dancing bruce and dan and other things" is a live, immaterial performance piece by artist Tino Sehgal that uses choreographed movement and interaction to explore perception, memory, and the history of dance.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Instead of allowing some thing to rise up to your face dancing bruce and dan and other things canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T4483386 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Instead of allowing some thing to rise up to your face dancing bruce and dan and other things Context triple: [Tino Sehgal, notableWork, Instead of allowing some thing to rise up to your face dancing bruce and dan and other things]
-
A.
No Dancing
"No Dancing" is a song by the band Knock Knock.
-
B.
Face Everything and Rise
"Face Everything and Rise" is a hard rock/alternative metal song by American band Papa Roach, known for its motivational lyrics about confronting fear and adversity.
-
C.
Dancing on the Ceiling
Dancing on the Ceiling is a 1986 pop song by Lionel Richie known for its upbeat, celebratory style and innovative music video featuring gravity-defying dance scenes.
-
D.
The Dance
The Dance is a famous early 20th-century painting by Henri Matisse that depicts a circle of nude figures dancing against a vivid, simplified landscape, exemplifying his bold use of color and form in Fauvism.
-
E.
The Dance
"The Dance" is a painting by French Rococo artist Antoine Watteau, exemplifying his elegant, theatrical scenes of aristocratic leisure and refined movement.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Instead of allowing some thing to rise up to your face dancing bruce and dan and other things Target entity description: "Instead of allowing some thing to rise up to your face dancing bruce and dan and other things" is a live, immaterial performance piece by artist Tino Sehgal that uses choreographed movement and interaction to explore perception, memory, and the history of dance.
-
A.
No Dancing
"No Dancing" is a song by the band Knock Knock.
-
B.
Face Everything and Rise
"Face Everything and Rise" is a hard rock/alternative metal song by American band Papa Roach, known for its motivational lyrics about confronting fear and adversity.
-
C.
Dancing on the Ceiling
Dancing on the Ceiling is a 1986 pop song by Lionel Richie known for its upbeat, celebratory style and innovative music video featuring gravity-defying dance scenes.
-
D.
The Dance
The Dance is a famous early 20th-century painting by Henri Matisse that depicts a circle of nude figures dancing against a vivid, simplified landscape, exemplifying his bold use of color and form in Fauvism.
-
E.
The Dance
"The Dance" is a painting by French Rococo artist Antoine Watteau, exemplifying his elegant, theatrical scenes of aristocratic leisure and refined movement.
- F. None of above. chosen
Statements (41)
| Predicate | Object |
|---|---|
| instanceOf |
immaterial artwork
ⓘ
live art piece ⓘ performance art work ⓘ |
| artForm |
contemporary art
ⓘ
contemporary dance ⓘ |
| artisticApproach |
conceptual art
ⓘ
immateriality ⓘ |
| conceptualFocus |
dematerialization of the art object
ⓘ
relationship between dance and visual art ⓘ |
| creator | Tino Sehgal NERFINISHED ⓘ |
| documentationPolicy | typically not documented by the artist with video or photography ⓘ |
| experientialFocus |
viewer’s bodily perception
ⓘ
viewer’s memory of the event ⓘ |
| feature |
absence of physical documentation in the work itself
ⓘ
choreographed interaction with viewers ⓘ focus on live encounter between performer and audience ⓘ use of performers instead of objects ⓘ |
| genre | performance art ⓘ |
| influencedBy |
Bruce Nauman
NERFINISHED
ⓘ
Dan Graham NERFINISHED ⓘ |
| interactionType | direct engagement between performers and audience ⓘ |
| language | English title ⓘ |
| medium |
choreographed movement
ⓘ
embodied interaction ⓘ live performance ⓘ |
| movementType | re-enactment of historical dance and performance art gestures ⓘ |
| ontologicalStatus | non-object-based artwork ⓘ |
| performanceMode | live, in-person presentation ⓘ |
| presentationContext |
contemporary art institutions
ⓘ
museum spaces ⓘ |
| relatedMovement |
post-conceptual performance art
ⓘ
relational aesthetics ⓘ |
| requires |
specific choreographic instructions from the artist
ⓘ
trained performers ⓘ |
| soldAs | oral contract and instructions rather than physical object ⓘ |
| subjectMatter |
history of dance
ⓘ
memory ⓘ perception ⓘ |
| temporalNature | time-based ⓘ |
| titleReferences |
Bruce Nauman
NERFINISHED
ⓘ
Dan Graham NERFINISHED ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Instead of allowing some thing to rise up to your face dancing bruce and dan and other things Description of subject: "Instead of allowing some thing to rise up to your face dancing bruce and dan and other things" is a live, immaterial performance piece by artist Tino Sehgal that uses choreographed movement and interaction to explore perception, memory, and the history of dance.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.