The Seated I
E443952
The Seated I is a sculptural artwork by contemporary Kenyan-American artist Wangechi Mutu, reflecting her signature fusion of Afrofuturism, feminist themes, and reimagined representations of the Black female body.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Seated I canonical | 1 |
Statements (45)
| Predicate | Object |
|---|---|
| instanceOf |
public artwork
ⓘ
sculpture ⓘ |
| artisticStyle |
Afrofuturist aesthetics
ⓘ
hybrid figuration ⓘ surrealism ⓘ |
| associatedWith |
Wangechi Mutu’s exploration of the Black female body
ⓘ
contemporary African diaspora art ⓘ reimagined representations of Black women ⓘ |
| countryOfOrigin |
Kenya
NERFINISHED
ⓘ
United States of America ⓘ
surface form:
United States
|
| creator | Wangechi Mutu NERFINISHED ⓘ |
| creatorGender | female ⓘ |
| creatorNationality | Kenyan-American ⓘ |
| culturalContext |
African diaspora
ⓘ
contemporary global art ⓘ |
| depicts |
Black woman
ⓘ
female figure ⓘ seated woman ⓘ |
| genre | figurative sculpture ⓘ |
| hasCreatorEthnicity |
African
ⓘ
Black ⓘ |
| hasInfluence |
African visual traditions
ⓘ
feminist theory ⓘ postcolonial theory ⓘ science fiction ⓘ |
| hasTitleInEnglish | The Seated I NERFINISHED ⓘ |
| inception | 21st century ⓘ |
| intendedAudience | public ⓘ |
| languageOfWork | English ⓘ |
| mainSubject |
Black female body
ⓘ
Black woman ⓘ female figure ⓘ |
| medium | sculptural artwork ⓘ |
| movement |
Afrofuturism
NERFINISHED
ⓘ
contemporary art ⓘ feminist art ⓘ |
| partOfSeries | The Seated series NERFINISHED ⓘ |
| theme |
Afrofuturism
NERFINISHED
ⓘ
feminism ⓘ hybridity ⓘ identity ⓘ mythology ⓘ postcolonialism ⓘ power ⓘ reimagining the Black female body ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.