Camera Work magazine
E443856
Camera Work magazine was an influential early 20th-century photographic journal that championed pictorialism and modern art, edited and published by Alfred Stieglitz.
Observed surface forms (1)
| Surface form | Occurrences |
|---|---|
| Camera Work | 0 |
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
art magazine
ⓘ
periodical ⓘ photographic journal ⓘ |
| artDirection | high-quality photogravure reproductions ⓘ |
| associatedMovement |
Photo-Secession
NERFINISHED
ⓘ
Pictorialism NERFINISHED ⓘ |
| circulationType | limited edition ⓘ |
| countryOfPublication |
United States of America
ⓘ
surface form:
United States
|
| editor | Alfred Stieglitz NERFINISHED ⓘ |
| editorialFocus |
aesthetic theory
ⓘ
fine art photography ⓘ modernist art criticism ⓘ |
| editorialStance | advocacy of pictorialist aesthetics ⓘ |
| finalIssueDate | June 1917 ⓘ |
| firstIssueDate | January 1903 ⓘ |
| format | quarterly journal ⓘ |
| inception | 1903 ⓘ |
| issueCount | 50 ⓘ |
| language | English ⓘ |
| laterEditorialShift | support for straight photography and modernism ⓘ |
| legacy | considered one of the most important photographic journals of the 20th century ⓘ |
| mainSubject |
modern art
ⓘ
photography ⓘ pictorialism ⓘ |
| mediaType | print ⓘ |
| notableContributor |
Alvin Langdon Coburn
NERFINISHED
ⓘ
Auguste Rodin NERFINISHED ⓘ Clarence H. White NERFINISHED ⓘ Edward Steichen NERFINISHED ⓘ Frank Eugene NERFINISHED ⓘ Gertrude Käsebier NERFINISHED ⓘ Henri Matisse NERFINISHED ⓘ Marius de Zayas NERFINISHED ⓘ Max Weber NERFINISHED ⓘ Pablo Picasso NERFINISHED ⓘ Paul Strand NERFINISHED ⓘ |
| notableEditor | Alfred Stieglitz NERFINISHED ⓘ |
| placeOfPublication | New York City ⓘ |
| printingTechnique | photogravure ⓘ |
| publicationEnd | 1917 ⓘ |
| publisher | Alfred Stieglitz NERFINISHED ⓘ |
| publisherOrganization | Photo-Secession NERFINISHED ⓘ |
| relatedTo | 291 gallery NERFINISHED ⓘ |
| significance |
championed photography as a fine art
ⓘ
introduced European modern art to American audiences ⓘ served as the primary organ of the Photo-Secession movement ⓘ |
| targetAudience |
art collectors
ⓘ
art photographers ⓘ avant-garde art enthusiasts ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.