Tears of Rage
E442072
"Tears of Rage" is a haunting, slow-burning ballad co-written by Bob Dylan and Richard Manuel, best known from The Band’s debut album "Music from Big Pink" and celebrated as one of the most powerful songs to emerge from the Basement Tapes era.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Tears of Rage canonical | 2 |
How this entity was disambiguated
This entity first appeared as the object of triple T4454868 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Tears of Rage Context triple: [1967 Basement Tapes recordings, notableSong, Tears of Rage]
-
A.
The Rage
The Rage is a 2007 American horror film directed by special effects artist Robert Kurtzman, known for its gruesome practical effects and over-the-top gore.
-
B.
Chastisement
"Chastisement" is a politically charged spoken-word and jazz-influenced album by The Last Poets, known for its militant commentary on race, oppression, and social justice.
-
C.
Die by the Sword
Die by the Sword is a 1998 fantasy action-adventure video game known for its innovative, physics-based sword-fighting system that allowed precise control of weapon movements.
-
D.
The Crimson Chaos
The Crimson Chaos is the raucous student section known for creating an intense home-field atmosphere at Alabama Crimson Tide football games.
-
E.
Square of Sorrow
Square of Sorrow is a solemn commemorative plaza within the Mamayev Kurgan memorial complex dedicated to honoring the victims and suffering of the Battle of Stalingrad.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Tears of Rage Target entity description: "Tears of Rage" is a haunting, slow-burning ballad co-written by Bob Dylan and Richard Manuel, best known from The Band’s debut album "Music from Big Pink" and celebrated as one of the most powerful songs to emerge from the Basement Tapes era.
-
A.
The Rage
The Rage is a 2007 American horror film directed by special effects artist Robert Kurtzman, known for its gruesome practical effects and over-the-top gore.
-
B.
Chastisement
"Chastisement" is a politically charged spoken-word and jazz-influenced album by The Last Poets, known for its militant commentary on race, oppression, and social justice.
-
C.
Die by the Sword
Die by the Sword is a 1998 fantasy action-adventure video game known for its innovative, physics-based sword-fighting system that allowed precise control of weapon movements.
-
D.
The Crimson Chaos
The Crimson Chaos is the raucous student section known for creating an intense home-field atmosphere at Alabama Crimson Tide football games.
-
E.
Square of Sorrow
Square of Sorrow is a solemn commemorative plaza within the Mamayev Kurgan memorial complex dedicated to honoring the victims and suffering of the Battle of Stalingrad.
- F. None of above. chosen
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
musical work
ⓘ
song ⓘ |
| associatedAct |
Bob Dylan
NERFINISHED
ⓘ
Richard Manuel NERFINISHED ⓘ The Band NERFINISHED ⓘ |
| associatedWith | Basement Tapes NERFINISHED ⓘ |
| bestKnownVersion | The Band studio recording on Music from Big Pink ⓘ |
| composer |
Bob Dylan
ⓘ
Richard Manuel NERFINISHED ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| coveredBy | numerous artists ⓘ |
| criticalReception | widely acclaimed ⓘ |
| describedAs | one of the most powerful songs from the Basement Tapes era ⓘ |
| era | Basement Tapes era NERFINISHED ⓘ |
| firstAlbumReleaseArtist | The Band NERFINISHED ⓘ |
| genre |
ballad
ⓘ
folk rock ⓘ rock ⓘ |
| hasCulturalStatus |
critical favorite
ⓘ
cult classic ⓘ |
| hasInfluenceOn | subsequent Americana and roots rock songwriting ⓘ |
| hasMood |
melancholic
ⓘ
tragic ⓘ |
| hasNarrativePerspective | first-person ⓘ |
| hasQuality |
haunting
ⓘ
slow-burning ⓘ |
| hasTheme |
betrayal
ⓘ
disillusionment ⓘ family relationships ⓘ loss ⓘ |
| instrumentationFeature |
prominent organ
ⓘ
slow tempo ⓘ |
| language | English ⓘ |
| lyricist |
Bob Dylan
ⓘ
Richard Manuel NERFINISHED ⓘ |
| notableFor |
emotional intensity
ⓘ
parent–child conflict theme ⓘ |
| originallyDevelopedDuring | Basement Tapes sessions NERFINISHED ⓘ |
| partOfAlbum | Music from Big Pink NERFINISHED ⓘ |
| performanceType | band performance ⓘ |
| performer | The Band NERFINISHED ⓘ |
| publisher | music publisher associated with Bob Dylan ⓘ |
| recordingArtist | The Band NERFINISHED ⓘ |
| recordLabel | Capitol Records ⓘ |
| relatedWork |
Music from Big Pink
NERFINISHED
ⓘ
The Basement Tapes NERFINISHED ⓘ |
| title | Tears of Rage NERFINISHED ⓘ |
| vocalistOnFamousVersion | Richard Manuel NERFINISHED ⓘ |
| workPeriod | late 1960s ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Tears of Rage Description of subject: "Tears of Rage" is a haunting, slow-burning ballad co-written by Bob Dylan and Richard Manuel, best known from The Band’s debut album "Music from Big Pink" and celebrated as one of the most powerful songs to emerge from the Basement Tapes era.
Referenced by (2)
Full triples — surface form annotated when it differs from this entity's canonical label.