Crash

E435941

Crash is a controversial 1973 novel by J. G. Ballard that explores the eroticization of car crashes and the dark intersections of technology, violence, and desire.

All labels observed (1)

Label Occurrences
Crash canonical 5

How this entity was disambiguated

Statements (42)

Predicate Object
instanceOf literaryWork
novel
adaptedAs Crash (1996 film) NERFINISHED
author J. G. Ballard NERFINISHED
containsCharacter Catherine Ballard NERFINISHED
Gabrielle NERFINISHED
Helen Remington NERFINISHED
Vaughan NERFINISHED
controversial true
countryOfOrigin United Kingdom
criticalReception polarizing
exploresConcept paraphilia
posthumanism
technological fetishism
filmDirectorOfAdaptation David Cronenberg NERFINISHED
followedBy Concrete Island NERFINISHED
genre postmodern literature
psychological fiction
satire
science fiction
transgressive fiction
hasISBN 0-224-00910-5
influenced contemporary discussions of technology and sexuality
inspiredBy J. G. Ballard’s own car accident
language English
literaryMovement New Wave science fiction NERFINISHED
mainCharacter James Ballard NERFINISHED
mediaType print
narrativePerspective first-person
notableFor exploration of symbiosis between humans and machines
graphic depictions of sexualized car crashes
pageCount 224
precededBy The Atrocity Exhibition NERFINISHED
publicationYear 1973
publisher Jonathan Cape NERFINISHED
setting London, England
surface form: London
theme alienation in modern society
death drive
eroticization of car crashes
media and spectacle
technology and the human body
violence and desire

How these facts were elicited

Referenced by (5)

Full triples — surface form annotated when it differs from this entity's canonical label.

J. G. Ballard notableWork Crash
David Cronenberg directed Crash
Melanie notableWork Crash
subject surface form: Melanie Thandiwe Newton
Deborah Kara Unger appearsIn Crash
subject surface form: Catherine Ballard