"He'll Have to Go" by Jim Reeves
E432333
"He'll Have to Go" by Jim Reeves is a classic 1959 country-pop ballad whose smooth production and intimate vocal style helped define the Nashville sound and brought it widespread mainstream success.
All labels observed (1)
| Label | Occurrences |
|---|---|
| "He'll Have to Go" by Jim Reeves canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T4323273 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: "He'll Have to Go" by Jim Reeves Context triple: [Nashville sound, hasCrossoverHits, "He'll Have to Go" by Jim Reeves]
-
A.
“Leavin’ in the Morning”
“Leavin’ in the Morning” is a song notable for its lyrics by American songwriter Marty Panzer, known for his emotive and narrative-driven pop compositions.
-
B.
You Don’t Have to Be a Star (To Be in My Show)
"You Don’t Have to Be a Star (To Be in My Show)" is a 1976 Grammy-winning pop and R&B duet by Marilyn McCoo and Billy Davis Jr. that became their signature hit.
-
C.
Goin’ Back
"Goin’ Back" is a 1966 pop song, best known in recordings by Dusty Springfield and The Byrds, that nostalgically reflects on lost innocence and the desire to return to simpler times.
-
D.
Don’t Go Breaking My Heart
"Don’t Go Breaking My Heart" is a 1976 pop duet by Elton John and Kiki Dee that became a worldwide hit and one of Elton John's signature songs.
-
E.
Go Away Little Girl (Steve Lawrence hit)
"Go Away Little Girl" is a popular early-1960s pop song, written by Gerry Goffin and Carole King, that became a major hit for singer Steve Lawrence.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: "He'll Have to Go" by Jim Reeves Target entity description: "He'll Have to Go" by Jim Reeves is a classic 1959 country-pop ballad whose smooth production and intimate vocal style helped define the Nashville sound and brought it widespread mainstream success.
-
A.
“Leavin’ in the Morning”
“Leavin’ in the Morning” is a song notable for its lyrics by American songwriter Marty Panzer, known for his emotive and narrative-driven pop compositions.
-
B.
You Don’t Have to Be a Star (To Be in My Show)
"You Don’t Have to Be a Star (To Be in My Show)" is a 1976 Grammy-winning pop and R&B duet by Marilyn McCoo and Billy Davis Jr. that became their signature hit.
-
C.
Goin’ Back
"Goin’ Back" is a 1966 pop song, best known in recordings by Dusty Springfield and The Byrds, that nostalgically reflects on lost innocence and the desire to return to simpler times.
-
D.
Don’t Go Breaking My Heart
"Don’t Go Breaking My Heart" is a 1976 pop duet by Elton John and Kiki Dee that became a worldwide hit and one of Elton John's signature songs.
-
E.
Go Away Little Girl (Steve Lawrence hit)
"Go Away Little Girl" is a popular early-1960s pop song, written by Gerry Goffin and Carole King, that became a major hit for singer Steve Lawrence.
- F. None of above. chosen
Statements (50)
| Predicate | Object |
|---|---|
| instanceOf |
single
ⓘ
song ⓘ |
| album | He'll Have to Go NERFINISHED ⓘ |
| arrangementStyle | orchestral country ⓘ |
| associatedMovement | Nashville sound NERFINISHED ⓘ |
| bSide | In a Mansion Stands My Love ⓘ |
| chartPosition_Canada | 1 ⓘ |
| chartPosition_US_Country | 1 ⓘ |
| chartPosition_US_Pop | 2 ⓘ |
| composer | Joe Allison NERFINISHED ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| decade | 1950s ⓘ |
| format | 7-inch single ⓘ |
| genre |
Nashville sound
NERFINISHED
ⓘ
country ⓘ country pop ⓘ |
| hasInfluenceOn |
crossover success of country-pop ballads
ⓘ
development of Nashville sound ⓘ |
| hasRecognition |
considered Nashville sound classic
ⓘ
considered country music standard ⓘ |
| includedIn | Grand Ole Opry repertoire ⓘ |
| includedInList | Rolling Stone-type lists of classic country songs ⓘ |
| isSignatureSongOf | Jim Reeves NERFINISHED ⓘ |
| language | English ⓘ |
| length | 2:18 ⓘ |
| lyricalTheme |
infidelity suspicion
ⓘ
jealousy ⓘ romantic ultimatum ⓘ |
| lyricist |
Audrey Allison
NERFINISHED
ⓘ
Joe Allison NERFINISHED ⓘ |
| notableCoverVersionBy |
Elvis Presley
NERFINISHED
ⓘ
Jerry Wallace NERFINISHED ⓘ Ry Cooder NERFINISHED ⓘ Solomon Burke NERFINISHED ⓘ |
| originalArtist | Jim Reeves NERFINISHED ⓘ |
| performer | Jim Reeves NERFINISHED ⓘ |
| producer |
Bob Ferguson
NERFINISHED
ⓘ
Chet Atkins NERFINISHED ⓘ |
| recordingDate | 1959-10-15 ⓘ |
| recordLabel | RCA Victor NERFINISHED ⓘ |
| releaseDate | 1959-10 ⓘ |
| tempo | slow ballad ⓘ |
| usesInstrumentation |
background vocal chorus
ⓘ
smooth electric guitar ⓘ subtle rhythm section ⓘ |
| usesProductionTechnique | echo-laden vocal production ⓘ |
| vocalCharacteristic | intimate conversational delivery ⓘ |
| vocalStyle | smooth baritone ⓘ |
| weeksAtNumberOne_US_Country | 14 ⓘ |
| yearEndRanking_Billboard_Hot_Country_1960 | 1 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: "He'll Have to Go" by Jim Reeves Description of subject: "He'll Have to Go" by Jim Reeves is a classic 1959 country-pop ballad whose smooth production and intimate vocal style helped define the Nashville sound and brought it widespread mainstream success.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.