cut-out period
E42954
The cut-out period was the late phase of Henri Matisse’s career during which he created vibrant compositions by cutting and arranging painted paper, resulting in some of his most iconic and innovative works.
Statements (50)
| Predicate | Object |
|---|---|
| instanceOf |
artistic period
→
phase of an artist's career → |
| alsoKnownAs |
cut-outs period
→
gouaches découpées period → |
| associatedWith |
Henri Matisse
→
|
| characteristic |
abstracted figuration
→
bold simplified forms → decorative compositions → dynamic compositions → flat shapes → innovative use of collage → large-scale works → vibrant color → |
| country |
France
→
|
| influenced |
contemporary collage practices
→
graphic design → later abstract art → |
| influencedBy |
Matisse's earlier painting practice
→
Matisse's interest in color theory → decorative arts → textile patterns → |
| legacy |
considered a radical reinvention of Matisse's art
→
recognized as a key moment in 20th-century art → |
| location |
Nice
→
Vence → |
| medium |
gouache on paper
→
paper collage → |
| movement |
Fauvism (late development)
→
Modern art → |
| notableWork |
Blue Nudes
→
Icarus → Jazz → La Gerbe → Oceania, the Sea → Oceania, the Sky → The Sheaf → The Snail → The Swimming Pool → |
| reason |
Matisse's declining health
→
difficulty painting on canvas → |
| resultedIn |
major late masterpieces
→
some of Matisse's most iconic works → |
| technique |
collage
→
cut and pasted paper → gouache-painted paper → paper cut-outs → scissors drawing → |
| timePeriod |
1940s
→
early 1950s → late career of Henri Matisse → |
Referenced by (1)
| Subject (surface form when different) | Predicate |
|---|---|
|
Henri Matisse
→
|
artisticPeriod |