The Film Sense
E40658
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Film Sense canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T316481 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Film Sense Context triple: [Sergei Eisenstein, wrote, The Film Sense]
-
A.
Cinéfondation
Cinéfondation is a Cannes Film Festival program dedicated to discovering and promoting emerging filmmakers, primarily through showcasing short and medium-length films from film schools around the world.
-
B.
Decalogue
The Decalogue, commonly known as the Ten Commandments, is a foundational set of moral and religious laws in the Hebrew Bible that has profoundly influenced Jewish, Christian, and broader Western ethical traditions.
-
C.
Performa
Performa was a line of consumer-oriented Macintosh personal computers produced by Apple in the 1990s, marketed as affordable, all-in-one home and small-office systems.
-
D.
Marché du Film
Marché du Film is the Cannes Film Festival’s major international film market, where industry professionals buy, sell, and promote films and projects.
-
E.
100 Años de Cine
100 Años de Cine is a film project directed by Australian filmmaker Gillian Armstrong, likely exploring the history and evolution of cinema over a century.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Film Sense Target entity description: The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
-
A.
Cinéfondation
Cinéfondation is a Cannes Film Festival program dedicated to discovering and promoting emerging filmmakers, primarily through showcasing short and medium-length films from film schools around the world.
-
B.
Decalogue
The Decalogue, commonly known as the Ten Commandments, is a foundational set of moral and religious laws in the Hebrew Bible that has profoundly influenced Jewish, Christian, and broader Western ethical traditions.
-
C.
Performa
Performa was a line of consumer-oriented Macintosh personal computers produced by Apple in the 1990s, marketed as affordable, all-in-one home and small-office systems.
-
D.
Marché du Film
Marché du Film is the Cannes Film Festival’s major international film market, where industry professionals buy, sell, and promote films and projects.
-
E.
100 Años de Cine
100 Años de Cine is a film project directed by Australian filmmaker Gillian Armstrong, likely exploring the history and evolution of cinema over a century.
- F. None of above. chosen
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
book
ⓘ
film theory book ⓘ |
| author |
Sergei Eisenstein
ⓘ
Sergei Eisenstein ⓘ
surface form:
Sergei M. Eisenstein
|
| countryOfOrigin | Soviet Union ⓘ |
| discusses |
intellectual montage
ⓘ
metric montage ⓘ overtonal montage ⓘ rhythmic montage ⓘ sound in cinema ⓘ synchronization of senses ⓘ tonal montage ⓘ |
| fieldOfStudy |
aesthetics
ⓘ
cinema ⓘ semiotics of film ⓘ |
| follows | Film Form ⓘ |
| form | essay collection ⓘ |
| genre |
film theory
ⓘ
non-fiction ⓘ |
| hasAuthorNationality | Russian ⓘ |
| hasAuthorOccupation |
film director
ⓘ
film theorist ⓘ |
| hasKeyConcept |
image and sound counterpoint
ⓘ
montage of attractions ⓘ pathos in cinema ⓘ |
| hasPart | essays ⓘ |
| influenced |
Soviet montage studies
ⓘ
film theory ⓘ montage theory ⓘ |
| isSeminalWorkIn |
Soviet film theory
ⓘ
film studies ⓘ |
| languageOfTranslation | English ⓘ |
| mainSubject |
cinematic expression
ⓘ
film aesthetics ⓘ film theory ⓘ montage ⓘ |
| mediaType | print ⓘ |
| notableFor |
integration of sound and image theory
ⓘ
systematic analysis of montage ⓘ |
| originalLanguage | Russian ⓘ |
| publicationYear | 1942 ⓘ |
| publisher |
Harcourt Brace & World
ⓘ
surface form:
Harcourt Brace
|
| relatedWork |
Film Form
ⓘ
Nonindifferent Nature ⓘ |
| translator | Jay Leyda ⓘ |
| usedAs | textbook in film schools ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: The Film Sense Description of subject: The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.