The Film Sense
E40658
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
Statements (46)
| Predicate | Object |
|---|---|
| instanceOf |
book
→
film theory book → |
| author |
Sergei Eisenstein
→
Sergei M. Eisenstein → |
| countryOfOrigin |
Soviet Union
→
|
| discusses |
intellectual montage
→
metric montage → overtonal montage → rhythmic montage → sound in cinema → synchronization of senses → tonal montage → |
| fieldOfStudy |
aesthetics
→
cinema → semiotics of film → |
| follows |
Film Form
→
|
| form |
essay collection
→
|
| genre |
film theory
→
non-fiction → |
| hasAuthorNationality |
Russian
→
|
| hasAuthorOccupation |
film director
→
film theorist → |
| hasKeyConcept |
image and sound counterpoint
→
montage of attractions → pathos in cinema → |
| hasPart |
essays
→
|
| influenced |
Soviet montage studies
→
film theory → montage theory → |
| isSeminalWorkIn |
Soviet film theory
→
film studies → |
| languageOfTranslation |
English
→
|
| mainSubject |
cinematic expression
→
film aesthetics → film theory → montage → |
| mediaType |
print
→
|
| notableFor |
integration of sound and image theory
→
systematic analysis of montage → |
| originalLanguage |
Russian
→
|
| publicationYear |
1942
→
|
| publisher |
Harcourt Brace
→
|
| relatedWork |
Film Form
→
Nonindifferent Nature → |
| translator |
Jay Leyda
→
|
| usedAs |
textbook in film schools
→
|
Referenced by (1)
| Subject (surface form when different) | Predicate |
|---|---|
|
Sergei Eisenstein
→
|
wrote |