Emma (1996 film) score
E365899
The "Emma" (1996 film) score is a light, melodic orchestral soundtrack composed by Rachel Portman that complements the romantic and comedic tone of the Jane Austen adaptation.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Emma (1996 film) score canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T3519326 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Emma (1996 film) score Context triple: [Rachel Portman, notableWork, Emma (1996 film) score]
-
A.
Sense and Sensibility (1995 film) score
The "Sense and Sensibility" (1995) film score is a romantic, period-appropriate orchestral soundtrack composed by Patrick Doyle that complements Ang Lee’s adaptation of Jane Austen’s novel.
-
B.
Little Women (1994 film score)
Little Women (1994 film score) is Thomas Newman's acclaimed orchestral soundtrack for the 1994 film adaptation of Louisa May Alcott's classic novel, noted for its lyrical, emotionally rich themes.
-
C.
Edward Scissorhands (film score)
Edward Scissorhands (film score) is a gothic, orchestral soundtrack composed by Danny Elfman, renowned for its hauntingly whimsical themes that underscore Tim Burton’s 1990 fantasy film.
-
D.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
-
E.
Anastasia (1997 film score)
Anastasia (1997 film score) is the orchestral and song-filled soundtrack composed by David Newman for the animated film "Anastasia," blending sweeping themes with memorable musical numbers.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Emma (1996 film) score Target entity description: The "Emma" (1996 film) score is a light, melodic orchestral soundtrack composed by Rachel Portman that complements the romantic and comedic tone of the Jane Austen adaptation.
-
A.
Sense and Sensibility (1995 film) score
The "Sense and Sensibility" (1995) film score is a romantic, period-appropriate orchestral soundtrack composed by Patrick Doyle that complements Ang Lee’s adaptation of Jane Austen’s novel.
-
B.
Little Women (1994 film score)
Little Women (1994 film score) is Thomas Newman's acclaimed orchestral soundtrack for the 1994 film adaptation of Louisa May Alcott's classic novel, noted for its lyrical, emotionally rich themes.
-
C.
Edward Scissorhands (film score)
Edward Scissorhands (film score) is a gothic, orchestral soundtrack composed by Danny Elfman, renowned for its hauntingly whimsical themes that underscore Tim Burton’s 1990 fantasy film.
-
D.
The Heiress (film score)
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
-
E.
Anastasia (1997 film score)
Anastasia (1997 film score) is the orchestral and song-filled soundtrack composed by David Newman for the animated film "Anastasia," blending sweeping themes with memorable musical numbers.
- F. None of above. chosen
Statements (31)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
soundtrack ⓘ |
| associatedWithCharacter | Emma Woodhouse ⓘ |
| associatedWithGenre | romantic comedy film ⓘ |
| awardRecognition |
Academy Award for Best Original Score
ⓘ
surface form:
Academy Award for Best Original Musical or Comedy Score nomination
|
| basedOn |
Emma (1996 film)
ⓘ
Emma (novel) ⓘ |
| basedOnWorkAuthor | Jane Austen ⓘ |
| composer | Rachel Portman ⓘ |
| composerNationality | British ⓘ |
| countryOfOrigin |
United Kingdom
ⓘ
United States of America ⓘ
surface form:
United States
|
| genre |
film music
ⓘ
orchestral music ⓘ romantic comedy score ⓘ |
| instrumentation | orchestra ⓘ |
| language | instrumental ⓘ |
| notableUse |
underscores comedic elements of the film
ⓘ
underscores romantic elements of the film ⓘ |
| primaryFunction | to support narrative and emotional tone of the film ⓘ |
| productionContext | Hollywood studio film ⓘ |
| publisherType | film studio music department ⓘ |
| releasePeriod | 1990s ⓘ |
| style |
classical-inspired
ⓘ
period-evocative ⓘ |
| tonalCharacter |
light
ⓘ
melodic ⓘ playful ⓘ romantic ⓘ |
| usedIn |
Emma (1996 film) closing credits
ⓘ
Emma (1996 film) opening titles ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: Emma (1996 film) score Description of subject: The "Emma" (1996 film) score is a light, melodic orchestral soundtrack composed by Rachel Portman that complements the romantic and comedic tone of the Jane Austen adaptation.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.