self-portrait of Caravaggio as a lantern-bearing figure

E335970

The self-portrait of Caravaggio as a lantern-bearing figure is a subtle cameo in his painting "The Taking of Christ," where the artist depicts himself holding a lantern and illuminating the dramatic arrest scene.

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Statements (37)

Predicate Object
instanceOf pictorial cameo
self-portrait
artHistoricalSignificance example of artist inserting himself into a biblical scene
artMovement Baroque
artStyle Caravaggism
associatedWith Gospel narrative of the arrest of Christ
theme of betrayal
chronologyRelativeToArtist mature period of Caravaggio
creator Caravaggio
culturalContext Counter-Reformation art
depictedIn The Taking of Christ
depicts Caravaggio
feature artist holding a lantern
dramatic chiaroscuro lighting
profile view of Caravaggio
functionInComposition illumination of arrest scene
genre religious painting detail
hasColorPalette dark background with strong highlights
historicalPeriod early 17th century
iconographicElement artist as observer-participant
lantern as symbol of revelation
interpretation artist as witness to the event
artist controlling the light of the scene
lightingSource lantern
mediumOfContainingWork oil on canvas
orientation figure facing toward the central action
partOf The Taking of Christ
surface form: The Taking of Christ (painting)
positionInPainting right side of the composition
relatedWork other self-portraits and cameos by Caravaggio
relationshipToMainSubject secondary figure illuminating Christ and Judas
roleInScene lantern-bearing figure
subjectOf art historical analysis
technique tenebrism
usedFor analysis of light and narrative in Baroque painting
study of Caravaggio’s self-representation
visibility subtle cameo
visualFocus lantern and illuminated faces

How these facts were elicited

Referenced by (1)

Full triples — surface form annotated when it differs from this entity's canonical label.

The Taking of Christ hasPart self-portrait of Caravaggio as a lantern-bearing figure