Projective Verse

E309658

Projective Verse is Charles Olson’s influential 1950 essay that outlines a breath-based, open-form poetics central to the practice and theory of the Black Mountain poets.

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All labels observed (2)

Label Occurrences
Projective Verse canonical 2
Projective Verse tradition 1

Statements (42)

Predicate Object
instanceOf essay
poetics manifesto
associatedMovement Black Mountain poets
surface form: Black Mountain poetry

postmodern American poetry
associatedWith Black Mountain College
author Charles Olson
centralIdea poem as a high-energy construct
poem as an extension of the poet’s physiology
countryOfOrigin United States of America
surface form: United States
criticalReception considered a foundational text of mid-20th-century American avant-garde poetics
firstPublishedIn Poetry New York
genre literary criticism
poetics essay
hasInfluenceOn free verse theory
performance-oriented poetry
spoken word poetics
hasNotableQuote FORM IS NEVER MORE THAN AN EXTENSION OF CONTENT
ONE PERCEPTION MUST IMMEDIATELY AND DIRECTLY LEAD TO A FURTHER PERCEPTION
historicalContext post–World War II American poetry
influenced Allen Ginsberg
Beat Generation
surface form: Beat Generation poets

Black Mountain poets
Denise Levertov
Language poets
Robert Creeley
keyConcept breath-based line
composition by field
energy transfer from poet to reader
open form
projective line
the line as a unit of breath
typewriter as scoring instrument
language English
mainSubject composition by field
open form poetry
poetics
prosody
opposes closed form poetry
traditional metrical verse
publicationYear 1950
theorizes page as a field of composition
relationship between breath and poetic line

Referenced by (3)

Full triples — surface form annotated when it differs from this entity's canonical label.

Black Mountain poets theoreticalText Projective Verse
Robert Creeley movement Projective Verse
this entity surface form: Projective Verse tradition
Charles Olson notableWork Projective Verse