Modern Chromatics, with Applications to Art and Industry

E305711

"Modern Chromatics, with Applications to Art and Industry" is a foundational 19th-century treatise on color theory that bridges scientific principles of color perception with practical guidance for artists and industrial designers.

All labels observed (3)

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Statements (42)

Predicate Object
instanceOf book
treatise
work on color theory
aim to connect scientific color theory with artistic practice
to provide practical guidance for artists
to provide practical guidance for industrial designers
approach didactic
empirical
author Ogden N. Rood NERFINISHED
Ogden Nicholas Rood
countryOfOrigin United States of America
surface form: United States
field color theory
optics
visual perception
genre scientific non-fiction
technical manual
influenced art education
industrial design
later color theory texts
intendedAudience artists
designers
scientists interested in color
language English
notableFor bridging scientific and artistic approaches to color
systematic treatment of color perception
publicationCentury 19th century
relatedTo history of color theory
scientific study of vision
subject additive color
applications of color science
color contrast
color harmony
color in art
color in industry
color mixing
color perception
physiology of vision
pigments
practical color mixing for artists
spectral colors
subtractive color
timePeriod Victorian era

How these facts were elicited

Referenced by (3)

Full triples — surface form annotated when it differs from this entity's canonical label.

Ogden Rood notableWork Modern Chromatics, with Applications to Art and Industry
Michel Eugène Chevreul fieldOfWork Modern Chromatics, with Applications to Art and Industry
this entity surface form: color theory
George Field (chemist) notableWork Modern Chromatics, with Applications to Art and Industry
this entity surface form: Chromatography; or, A Treatise on Colours and Pigments, and of Their Powers in Painting