BWV 232
E274858
BWV 232 is Johann Sebastian Bach’s monumental Mass in B minor, a cornerstone of the choral and sacred music repertoire.
All labels observed (5)
| Label | Occurrences |
|---|---|
| BWV 232 canonical | 4 |
| BWV 232 (movement) | 1 |
| BWV 232 (part of) | 1 |
| BWV 232 (part) | 1 |
| BWV 232 I | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T2507029 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: BWV 232 Context triple: [Mass in B minor, catalogNumber, BWV 232]
-
A.
BWV 988
BWV 988 is the catalogue number for Johann Sebastian Bach’s Goldberg Variations, a monumental set of keyboard variations and one of the most celebrated works in the Baroque repertoire.
-
B.
D minor (BWV 1004)
D minor (BWV 1004) is the key of J.S. Bach’s famous Partita No. 2 for solo violin, best known for its monumental final movement, the Chaconne.
-
C.
C major (BWV 1005)
C major (BWV 1005) is the key of Johann Sebastian Bach’s Sonata No. 3 for solo violin, a cornerstone of the Sonatas and Partitas noted for its monumental fugue and expressive depth.
-
D.
The Art of Fugue
The Art of Fugue is an unfinished late contrapuntal masterpiece by Johann Sebastian Bach that systematically explores the possibilities of a single musical theme through a series of complex fugues and canons.
-
E.
Württemberg Sonatas
The Württemberg Sonatas are a set of early keyboard sonatas by Carl Philipp Emanuel Bach that showcase his expressive, empfindsamer Stil and mark an important step in the transition from Baroque to Classical music.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: BWV 232 Target entity description: BWV 232 is Johann Sebastian Bach’s monumental Mass in B minor, a cornerstone of the choral and sacred music repertoire.
-
A.
BWV 988
BWV 988 is the catalogue number for Johann Sebastian Bach’s Goldberg Variations, a monumental set of keyboard variations and one of the most celebrated works in the Baroque repertoire.
-
B.
D minor (BWV 1004)
D minor (BWV 1004) is the key of J.S. Bach’s famous Partita No. 2 for solo violin, best known for its monumental final movement, the Chaconne.
-
C.
C major (BWV 1005)
C major (BWV 1005) is the key of Johann Sebastian Bach’s Sonata No. 3 for solo violin, a cornerstone of the Sonatas and Partitas noted for its monumental fugue and expressive depth.
-
D.
The Art of Fugue
The Art of Fugue is an unfinished late contrapuntal masterpiece by Johann Sebastian Bach that systematically explores the possibilities of a single musical theme through a series of complex fugues and canons.
-
E.
Württemberg Sonatas
The Württemberg Sonatas are a set of early keyboard sonatas by Carl Philipp Emanuel Bach that showcase his expressive, empfindsamer Stil and mark an important step in the transition from Baroque to Classical music.
- F. None of above. chosen
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
choral work
ⓘ
liturgical music ⓘ mass ⓘ sacred vocal composition ⓘ |
| alsoKnownAs | Hohe Messe in h-Moll ⓘ |
| catalogueNumber | BWV 232 ⓘ |
| completionDate | 1749 ⓘ |
| composer | Johann Sebastian Bach ⓘ |
| composerBirthYear | 1685 ⓘ |
| composerDeathYear | 1750 ⓘ |
| countryOfOrigin | Germany ⓘ |
| genre |
Mass
ⓘ
choral music ⓘ sacred music ⓘ |
| hasKeySection | D major sections within the B minor framework ⓘ |
| hasSection |
Gloria
ⓘ
Missa ⓘ Agnus Dei ⓘ
surface form:
Osanna, Benedictus, Agnus Dei
Sanctus ⓘ Nicene Creed ⓘ
surface form:
Symbolum Nicenum
|
| instrumentation | orchestra ⓘ |
| key | B minor ⓘ |
| language | Latin ⓘ |
| liturgicalUse |
Catholic Mass
ⓘ
surface form:
Roman Catholic Mass
|
| movement |
Agnus Dei
ⓘ
Benedictus ⓘ Credo ⓘ Gloria ⓘ Kyrie ⓘ Osanna ⓘ Sanctus ⓘ |
| notableSection |
Crucifixus
ⓘ
Dona Nobis Pacem ⓘ
surface form:
Dona nobis pacem
Et in terra pax ⓘ Et resurrexit ⓘ |
| originallyComposedFor | Lutheran context in Saxony ⓘ |
| partiallyBasedOn | earlier cantata movements by Bach ⓘ |
| period | Baroque ⓘ |
| requires |
SATB choir
ⓘ
orchestral accompaniment ⓘ vocal soloists ⓘ |
| significance |
considered a cornerstone of Western sacred music
ⓘ
considered one of the greatest works in the choral repertoire ⓘ |
| structure | multi-movement setting of the complete Mass Ordinary ⓘ |
| textSource | Ordinary of the Mass ⓘ |
| title | Mass in B minor ⓘ |
| vocalForces |
choir
ⓘ
soloists ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: BWV 232 Description of subject: BWV 232 is Johann Sebastian Bach’s monumental Mass in B minor, a cornerstone of the choral and sacred music repertoire.
Referenced by (8)
Full triples — surface form annotated when it differs from this entity's canonical label.
subject surface form:
Kyrie (Mass in B minor)
this entity surface form:
BWV 232 (part of)
subject surface form:
Credo (Mass in B minor)
this entity surface form:
BWV 232 (movement)
this entity surface form:
BWV 232 (part)
this entity surface form:
BWV 232 I