John Hilliard
E256142
John Hilliard is a British conceptual artist and photographer known for his experimental works that explore the nature of photographic representation and perception.
All labels observed (1)
| Label | Occurrences |
|---|---|
| John Hilliard canonical | 1 |
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
conceptual artist
ⓘ
human ⓘ photographer ⓘ |
| activeSince | late 1960s ⓘ |
| artisticFocus |
limits of photographic truth
ⓘ
nature of photographic representation ⓘ perception of images ⓘ |
| countryOfCitizenship | United Kingdom ⓘ |
| dateOfBirth | 1945 ⓘ |
| educatedAt |
Lancaster Institute for the Contemporary Arts
ⓘ
surface form:
Lancaster College of Art
Saint Martin's School of Art ⓘ
surface form:
St Martin's School of Art
|
| fieldOfWork |
conceptual art
ⓘ
photography ⓘ |
| genre | conceptual photography ⓘ |
| hasExhibitedAt |
Centre Pompidou
ⓘ
Hayward Gallery ⓘ Museum of Modern Art ⓘ Tate ⓘ |
| hasTaughtAt | Slade School of Fine Art ⓘ |
| languageOfWork | English ⓘ |
| livingStatus | living person ⓘ |
| movement | Conceptual art ⓘ |
| nationality | British ⓘ |
| notableFor |
experimental photographic works
ⓘ
exploration of photographic representation ⓘ exploration of visual perception ⓘ |
| notableWork |
A Camera Recording Its Own Condition (7 apertures, 10 speeds, 2 mirrors)
ⓘ
Camera Recording Its Own Condition ⓘ Cause of Death ⓘ Sixty Seconds of Light ⓘ Suspended Time ⓘ |
| occupation |
artist
ⓘ
photographer ⓘ university teacher ⓘ |
| placeOfBirth | Lancaster ⓘ |
| residence |
London, England
ⓘ
surface form:
London
|
| theme |
ambiguity of photographic evidence
ⓘ
framing and cropping in images ⓘ manipulation of photographic information ⓘ mechanics of the camera ⓘ relationship between image and reality ⓘ time and duration in photography ⓘ |
| usesMedium |
installation art
ⓘ
photo-based conceptual works ⓘ photography ⓘ |
| workInCollection |
Museum of Modern Art
ⓘ
surface form:
Museum of Modern Art collection
Tate galleries network ⓘ
surface form:
Tate Collection
Victoria and Albert Museum ⓘ |
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.