Symphony No. 4 in F minor
E225532
Symphony No. 4 in F minor is a powerful and turbulent orchestral work by Ralph Vaughan Williams, noted for its dramatic intensity and uncharacteristically dissonant, aggressive style.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Symphony No. 4 in F minor canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1909067 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Symphony No. 4 in F minor Context triple: [Ralph Vaughan Williams, notableWork, Symphony No. 4 in F minor]
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A.
Symphony No. 4
Symphony No. 4 is a contemporary orchestral work by American composer John Harbison, reflecting his characteristically intricate textures and modern harmonic language.
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B.
Symphony No. 4 in G major
Symphony No. 4 in G major is Gustav Mahler’s relatively light and classical-style symphony, renowned for its serene character and soprano finale depicting a child’s vision of heaven.
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C.
Symphony No. 3 in D minor
Symphony No. 3 in D minor is Gustav Mahler’s expansive, six-movement symphony renowned for its philosophical scope, incorporation of vocal and choral forces, and exploration of nature and existence.
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D.
Symphony No. 3
Symphony No. 3 is a large-scale orchestral work by American composer John Harbison that exemplifies his contemporary yet accessible symphonic style.
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E.
Symphony No. 4 in D minor, Op. 120
Symphony No. 4 in D minor, Op. 120 is a Romantic-era symphony by Robert Schumann, known for its cyclic structure and tightly integrated movements that create a unified, dramatic whole.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Symphony No. 4 in F minor Target entity description: Symphony No. 4 in F minor is a powerful and turbulent orchestral work by Ralph Vaughan Williams, noted for its dramatic intensity and uncharacteristically dissonant, aggressive style.
-
A.
Symphony No. 4
Symphony No. 4 is a contemporary orchestral work by American composer John Harbison, reflecting his characteristically intricate textures and modern harmonic language.
-
B.
Symphony No. 4 in G major
Symphony No. 4 in G major is Gustav Mahler’s relatively light and classical-style symphony, renowned for its serene character and soprano finale depicting a child’s vision of heaven.
-
C.
Symphony No. 3 in D minor
Symphony No. 3 in D minor is Gustav Mahler’s expansive, six-movement symphony renowned for its philosophical scope, incorporation of vocal and choral forces, and exploration of nature and existence.
-
D.
Symphony No. 3
Symphony No. 3 is a large-scale orchestral work by American composer John Harbison that exemplifies his contemporary yet accessible symphonic style.
-
E.
Symphony No. 4 in D minor, Op. 120
Symphony No. 4 in D minor, Op. 120 is a Romantic-era symphony by Robert Schumann, known for its cyclic structure and tightly integrated movements that create a unified, dramatic whole.
- F. None of above. chosen
Statements (47)
| Predicate | Object |
|---|---|
| instanceOf |
orchestral work
ⓘ
symphony ⓘ |
| alsoKnownAs | Vaughan Williams Symphony No. 4 ⓘ |
| approximateDuration | 32 minutes ⓘ |
| associatedWithEvent | interwar period ⓘ |
| catalogNumber | VWV 104 ⓘ |
| composer | Ralph Vaughan Williams ⓘ |
| countryOfOrigin | United Kingdom ⓘ |
| dateOfCompletion | 1934 ⓘ |
| dateOfComposition | 1931 ⓘ |
| dedication | Arnold Bax ⓘ |
| firstRecordingConductor |
Sir Adrian Boult
ⓘ
surface form:
Adrian Boult
|
| firstRecordingOrchestra | BBC Symphony Orchestra ⓘ |
| followsWork |
Symphony No. 3 in F major
ⓘ
surface form:
Symphony No. 3 "A Pastoral Symphony"
|
| genre |
20th-century classical music
ⓘ
classical music ⓘ |
| hasOpusNumber | none (un-numbered) ⓘ |
| hasTonalCenter | F ⓘ |
| influences | modernist orchestral writing ⓘ |
| intendedEnsemble | symphony orchestra ⓘ |
| key | F minor ⓘ |
| language | none (instrumental) ⓘ |
| movement |
I. Allegro
ⓘ
II. Andante moderato ⓘ III. Scherzo: Allegro molto ⓘ IV. Finale con epilogo fugato ⓘ |
| notableCharacteristic |
frequent use of aggressive rhythms
ⓘ
high dramatic intensity ⓘ often described as bleak and uncompromising ⓘ unusually dissonant for Vaughan Williams ⓘ |
| numberOfMovements | 4 ⓘ |
| orchestration | full symphony orchestra ⓘ |
| period | 20th century ⓘ |
| placeInReputation | one of Vaughan Williams's most powerful symphonies ⓘ |
| positionInOeuvre |
symphonies by Ralph Vaughan Williams
ⓘ
surface form:
fourth symphony by Ralph Vaughan Williams
|
| precededByWork | Symphony No. 5 in D major ⓘ |
| premiereConductor |
Sir Adrian Boult
ⓘ
surface form:
Adrian Boult
|
| premiereDate | 1935-04-10 ⓘ |
| premiereLocation | Queen's Hall, London ⓘ |
| premiereOrchestra | BBC Symphony Orchestra ⓘ |
| publisher | Oxford University Press ⓘ |
| style |
aggressive
ⓘ
dissonant ⓘ dramatic ⓘ turbulent ⓘ |
| typicalPerformanceContext | concert hall ⓘ |
| workNumberInComposerOutput | 4 (symphonies) ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Symphony No. 4 in F minor Description of subject: Symphony No. 4 in F minor is a powerful and turbulent orchestral work by Ralph Vaughan Williams, noted for its dramatic intensity and uncharacteristically dissonant, aggressive style.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.