Robert Schumann: Fantasiestücke, Op. 12
E203712
Robert Schumann: Fantasiestücke, Op. 12 is a celebrated set of eight Romantic piano pieces composed in 1837 that explore contrasting moods and poetic character pieces.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Robert Schumann: Fantasiestücke, Op. 12 canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1773157 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Robert Schumann: Fantasiestücke, Op. 12 Context triple: [Clara Schumann, dedicateeOf, Robert Schumann: Fantasiestücke, Op. 12]
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A.
Robert Schumann: Fantasie in C major, Op. 17
Robert Schumann’s Fantasie in C major, Op. 17 is a monumental Romantic piano work renowned for its emotional depth, virtuosic demands, and richly imaginative structure.
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B.
Robert Schumann: Kreisleriana, Op. 16
Robert Schumann: Kreisleriana, Op. 16 is a highly expressive and technically demanding piano cycle from the Romantic era, inspired by E.T.A. Hoffmann’s fictional character Johannes Kreisler and noted for its rapid mood shifts and psychological depth.
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C.
Robert Schumann: Blumenstück in D-flat major, Op. 19
Robert Schumann’s Blumenstück in D-flat major, Op. 19 is a lyrical Romantic piano piece known for its delicate, song-like character and intimate expressiveness.
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D.
Robert Schumann: Novelletten, Op. 21
Robert Schumann: Novelletten, Op. 21 is a set of eight character pieces for solo piano composed in 1838 that showcase Schumann’s imaginative, narrative style and virtuosic writing.
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E.
Robert Schumann: Davidsbündlertänze, Op. 6
Robert Schumann’s Davidsbündlertänze, Op. 6 is a Romantic-era piano cycle of character pieces that reflects his alter egos Florestan and Eusebius and is considered one of his most poetic and intimate works.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Robert Schumann: Fantasiestücke, Op. 12 Target entity description: Robert Schumann: Fantasiestücke, Op. 12 is a celebrated set of eight Romantic piano pieces composed in 1837 that explore contrasting moods and poetic character pieces.
-
A.
Robert Schumann: Fantasie in C major, Op. 17
Robert Schumann’s Fantasie in C major, Op. 17 is a monumental Romantic piano work renowned for its emotional depth, virtuosic demands, and richly imaginative structure.
-
B.
Robert Schumann: Kreisleriana, Op. 16
Robert Schumann: Kreisleriana, Op. 16 is a highly expressive and technically demanding piano cycle from the Romantic era, inspired by E.T.A. Hoffmann’s fictional character Johannes Kreisler and noted for its rapid mood shifts and psychological depth.
-
C.
Robert Schumann: Blumenstück in D-flat major, Op. 19
Robert Schumann’s Blumenstück in D-flat major, Op. 19 is a lyrical Romantic piano piece known for its delicate, song-like character and intimate expressiveness.
-
D.
Robert Schumann: Novelletten, Op. 21
Robert Schumann: Novelletten, Op. 21 is a set of eight character pieces for solo piano composed in 1838 that showcase Schumann’s imaginative, narrative style and virtuosic writing.
-
E.
Robert Schumann: Davidsbündlertänze, Op. 6
Robert Schumann’s Davidsbündlertänze, Op. 6 is a Romantic-era piano cycle of character pieces that reflects his alter egos Florestan and Eusebius and is considered one of his most poetic and intimate works.
- F. None of above. chosen
Statements (49)
| Predicate | Object |
|---|---|
| instanceOf |
Romantic piano work
ⓘ
character piece collection ⓘ piano composition ⓘ |
| canonicalStatus | standard piano repertoire ⓘ |
| composer | Robert Schumann ⓘ |
| compositionYear | 1837 ⓘ |
| contrastingMoods | yes ⓘ |
| countryOfOrigin | Germany ⓘ |
| dedicatedTo | Anna Robena Laidlaw ⓘ |
| firstPublicationYear | 1837 ⓘ |
| frequentlyPerformedBy | concert pianists ⓘ |
| genre | Romantic piano music ⓘ |
| inspiredBy | E. T. A. Hoffmann’s Fantasiestücke in Callots Manier ⓘ |
| instrumentation | solo piano ⓘ |
| keyOfMovement1 | D-flat major ⓘ |
| keyOfMovement2 | F minor ⓘ |
| keyOfMovement3 | D-flat major ⓘ |
| keyOfMovement4 | D-flat major ⓘ |
| keyOfMovement5 | F minor ⓘ |
| keyOfMovement6 | G minor ⓘ |
| keyOfMovement7 | F major ⓘ |
| keyOfMovement8 | F major ⓘ |
| languageOfMovementTitles | German ⓘ |
| movement |
Aufschwung
ⓘ
Des Abends ⓘ Ende vom Lied ⓘ Fabel ⓘ Grillen ⓘ In der Nacht ⓘ Traumes Wirren ⓘ Warum? ⓘ |
| movementCount | 8 ⓘ |
| movementOrder |
1: Des Abends
ⓘ
2: Aufschwung ⓘ 3: Warum? ⓘ 4: Grillen ⓘ 5: In der Nacht ⓘ 6: Fabel ⓘ 7: Traumes Wirren ⓘ 8: Ende vom Lied ⓘ |
| notableMovement |
Aufschwung
ⓘ
Des Abends ⓘ In der Nacht ⓘ |
| numberOfPieces | 8 ⓘ |
| opusNumber | Op. 12 ⓘ |
| period | Romantic era ⓘ |
| placeInComposerOutput | early piano cycle ⓘ |
| style | poetic character pieces ⓘ |
| typicalPerformanceLength | approximately 25 minutes ⓘ |
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Subject: Robert Schumann: Fantasiestücke, Op. 12 Description of subject: Robert Schumann: Fantasiestücke, Op. 12 is a celebrated set of eight Romantic piano pieces composed in 1837 that explore contrasting moods and poetic character pieces.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.