The Heiress (film score)
E202844
The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Heiress (film score) canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1820998 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Heiress (film score) Context triple: [Aaron Copland, notableWork, The Heiress (film score)]
-
A.
What Women Want (film score)
What Women Want (film score) is the original musical soundtrack composed by Alan Silvestri for the 2000 romantic comedy film "What Women Want."
-
B.
Love Is a Many-Splendored Thing (film score)
Love Is a Many-Splendored Thing is a romantic 1955 film score by Alfred Newman, renowned for its lush orchestration and iconic title theme that became a popular standard.
-
C.
The Robe (film score)
The Robe (film score) is a landmark 1953 orchestral film soundtrack by Alfred Newman, renowned for its lush, dramatic themes and pioneering use of CinemaScope-era widescreen scoring.
-
D.
The Natural (film score)
The Natural (film score) is a lush, Americana-infused orchestral soundtrack by Randy Newman for the 1984 baseball film "The Natural," renowned for its heroic and nostalgic main theme.
-
E.
Legends of the Fall (film score)
Legends of the Fall (film score) is a sweeping, romantic orchestral soundtrack by composer James Horner, known for its lush themes that underscore the epic drama of the 1994 film.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Heiress (film score) Target entity description: The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
-
A.
What Women Want (film score)
What Women Want (film score) is the original musical soundtrack composed by Alan Silvestri for the 2000 romantic comedy film "What Women Want."
-
B.
Love Is a Many-Splendored Thing (film score)
Love Is a Many-Splendored Thing is a romantic 1955 film score by Alfred Newman, renowned for its lush orchestration and iconic title theme that became a popular standard.
-
C.
The Robe (film score)
The Robe (film score) is a landmark 1953 orchestral film soundtrack by Alfred Newman, renowned for its lush, dramatic themes and pioneering use of CinemaScope-era widescreen scoring.
-
D.
The Natural (film score)
The Natural (film score) is a lush, Americana-infused orchestral soundtrack by Randy Newman for the 1984 baseball film "The Natural," renowned for its heroic and nostalgic main theme.
-
E.
Legends of the Fall (film score)
Legends of the Fall (film score) is a sweeping, romantic orchestral soundtrack by composer James Horner, known for its lush themes that underscore the epic drama of the 1994 film.
- F. None of above. chosen
Statements (25)
| Predicate | Object |
|---|---|
| instanceOf |
film score
ⓘ
orchestral work ⓘ |
| accompaniesFilmAdaptationOf | Washington Square ⓘ |
| accompaniesGenreOfFilm | drama film ⓘ |
| associatedWithAuthor | Henry James ⓘ |
| basedOn | Washington Square ⓘ |
| basedOnAuthor | Henry James ⓘ |
| composer | Aaron Copland ⓘ |
| countryOfOrigin |
United States of America
ⓘ
surface form:
United States
|
| criticalReception | acclaimed ⓘ |
| genre |
film music
ⓘ
orchestral music ⓘ |
| languageOfWork | non-vocal (instrumental) ⓘ |
| medium | orchestra ⓘ |
| narrativeFunction |
supports romantic storyline
ⓘ
underscores psychological drama ⓘ |
| notableFor |
emotionally nuanced writing
ⓘ
romantic yet modernist musical language ⓘ |
| partOf |
The Heiress
ⓘ
surface form:
The Heiress (1949 film)
|
| publicationYear | 1949 ⓘ |
| setInNarrativePeriod | 19th century ⓘ |
| style |
modernist
ⓘ
romantic ⓘ |
| usesMotifsFrom | 19th-century romantic idiom ⓘ |
| yearOfFilmRelease | 1949 ⓘ |
How these facts were elicited
The pipeline generated the facts above by prompting gpt-5.1 with this entity's name + description and the instruction below.
Instruction
You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Input
Subject: The Heiress (film score) Description of subject: The Heiress (film score) is Aaron Copland’s acclaimed 1949 orchestral soundtrack for the film adaptation of Henry James’s "Washington Square," noted for its emotionally nuanced, romantic yet modernist style.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.