Danzantes reliefs
E176318
The Danzantes reliefs are a series of carved stone slabs at Monte Albán depicting contorted human figures, likely representing sacrificed captives or ritual scenes, and are among the earliest and most distinctive examples of Zapotec monumental art.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Danzantes reliefs canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T1546586 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
Target entity: Danzantes reliefs Context triple: [Monte Albán, notableFeature, Danzantes reliefs]
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A.
Pergamon Altar frieze
The Pergamon Altar frieze is a monumental Hellenistic sculptural relief renowned for its dramatic, high-relief depiction of the mythological battle between gods and giants.
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B.
Lion Hunt mosaic
The Lion Hunt mosaic is a renowned ancient floor mosaic from Pella, Greece, depicting a dynamic lion-hunting scene and exemplifying the high artistic achievement of Hellenistic Macedonian art.
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C.
House of Dionysus mosaic
The House of Dionysus mosaic is a renowned Hellenistic floor mosaic depicting the god Dionysus riding a panther, celebrated as one of the finest examples of ancient Greek mosaic art.
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D.
Arch of Titus reliefs
The Arch of Titus reliefs are ancient Roman sculptural panels in the Arch of Titus that famously portray Titus’s triumphal procession after the Jewish War, including the spoils taken from the Second Temple in Jerusalem.
-
E.
Charioteer of Delphi
The Charioteer of Delphi is a renowned ancient Greek bronze statue from around 470 BCE, celebrated for its realistic detail and serene expression, and considered a masterpiece of early Classical sculpture.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
Target entity: Danzantes reliefs Target entity description: The Danzantes reliefs are a series of carved stone slabs at Monte Albán depicting contorted human figures, likely representing sacrificed captives or ritual scenes, and are among the earliest and most distinctive examples of Zapotec monumental art.
-
A.
Pergamon Altar frieze
The Pergamon Altar frieze is a monumental Hellenistic sculptural relief renowned for its dramatic, high-relief depiction of the mythological battle between gods and giants.
-
B.
Lion Hunt mosaic
The Lion Hunt mosaic is a renowned ancient floor mosaic from Pella, Greece, depicting a dynamic lion-hunting scene and exemplifying the high artistic achievement of Hellenistic Macedonian art.
-
C.
House of Dionysus mosaic
The House of Dionysus mosaic is a renowned Hellenistic floor mosaic depicting the god Dionysus riding a panther, celebrated as one of the finest examples of ancient Greek mosaic art.
-
D.
Arch of Titus reliefs
The Arch of Titus reliefs are ancient Roman sculptural panels in the Arch of Titus that famously portray Titus’s triumphal procession after the Jewish War, including the spoils taken from the Second Temple in Jerusalem.
-
E.
Charioteer of Delphi
The Charioteer of Delphi is a renowned ancient Greek bronze statue from around 470 BCE, celebrated for its realistic detail and serene expression, and considered a masterpiece of early Classical sculpture.
- F. None of above. chosen
Statements (34)
| Predicate | Object |
|---|---|
| instanceOf |
Mesoamerican monumental sculpture
ⓘ
Zapotec stone reliefs ⓘ archaeological artifact series ⓘ |
| artHistoricalRole | key corpus for studying early Zapotec iconography ⓘ |
| artStyle | Zapotec monumental art ⓘ |
| chronology | Formative period of Mesoamerica ⓘ |
| conservationStatus | preserved in situ and in museums in Oaxaca ⓘ |
| culture | Zapotec civilization ⓘ |
| depicts |
contorted human figures
ⓘ
possibly sacrificed captives ⓘ ritual scenes ⓘ |
| discoveredBy | archaeologists working at Monte Albán in the early 20th century ⓘ |
| foundAt |
Monte Albán
ⓘ
surface form:
Building L at Monte Albán
|
| iconographyFeature |
closed or distorted eyes
ⓘ
nude male figures ⓘ possible blood or fluid indications ⓘ twisted or contorted body postures ⓘ |
| interpretation |
possible depiction of ritual or mythological events
ⓘ
representation of defeated enemies ⓘ representation of sacrificial victims ⓘ |
| languageContext | associated with early Zapotec writing development at Monte Albán ⓘ |
| locatedIn |
Monte Albán
ⓘ
Oaxaca Valley ⓘ Oaxaca state ⓘ
surface form:
Oaxaca, Mexico
|
| material | stone ⓘ |
| orientation | set into building walls and platforms ⓘ |
| partOf |
Monte Albán
ⓘ
surface form:
Monte Albán archaeological site
|
| relatedTo |
Zapotec ritual practices
ⓘ
Zapotec warfare and captive-taking ⓘ |
| researchField |
Mesoamerican archaeology
ⓘ
pre-Columbian art history ⓘ |
| significance |
among the earliest examples of Zapotec monumental art
ⓘ
among the most distinctive examples of Zapotec monumental art ⓘ |
| timePeriod | Early Monte Albán phase (Monte Albán I–II) ⓘ |
How these facts were elicited
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You are a knowledge base construction expert. Given a subject entity and a description of it, return factual statements that you know for the subject as a JSON list of dictionaries(triples), where keys must be "subject", "predicate" and "object". The number of facts may be very high, between 25 to 50 or more, for very popular subjects. For less popular subjects, the number of facts can be very low, like 5 or 10. # Requirements - If you don't know the subject at all, return an empty list. - If the subject is not a named entity, return an empty list. - Include at least one triple where predicate is "instanceOf". - Do not get too wordy. - Separate several objects into multiple triples with one object.
Subject: Danzantes reliefs Description of subject: The Danzantes reliefs are a series of carved stone slabs at Monte Albán depicting contorted human figures, likely representing sacrificed captives or ritual scenes, and are among the earliest and most distinctive examples of Zapotec monumental art.
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.