Roland Anderson

E155520

Roland Anderson was an American art director known for his work on numerous Hollywood films from the 1930s through the 1960s, earning multiple Academy Award nominations for his production design.

All labels observed (1)

Label Occurrences
Roland Anderson canonical 4

How this entity was disambiguated

Statements (38)

Predicate Object
instanceOf American
art director
person
activeYearsEnd 1960s
activeYearsStart 1930s
awardNominated Academy Award for Best Art Direction
countryOfCitizenship United States of America
era Hollywood Golden Age
surface form: Golden Age of Hollywood
fieldOfWork art direction
production design
genreOfWork feature film
industry Hollywood
surface form: Hollywood film industry
nominatedFor Academy Award for Best Art Direction
surface form: Academy Award for Best Art Direction for Breakfast at Tiffany's

Academy Award for Best Art Direction
surface form: Academy Award for Best Art Direction for Holiday Inn

Academy Award for Best Art Direction
surface form: Academy Award for Best Art Direction for Love with the Proper Stranger

Academy Award for Best Art Direction
surface form: Academy Award for Best Art Direction for Road to Morocco

Academy Award for Best Art Direction
surface form: Academy Award for Best Art Direction for Road to Zanzibar

Academy Award for Best Art Direction
surface form: Academy Award for Best Art Direction for The Country Girl

Academy Award for Best Art Direction
surface form: Academy Award for Best Art Direction for The Major and the Minor

Academy Award for Best Art Direction
surface form: Academy Award for Best Art Direction for Vertigo
notableFor multiple Academy Award nominations
notableWork Breakfast at Tiffany's
Holiday Inn
Love with the Proper Stranger
Road to Morocco
Road to Zanzibar
The Country Girl
The Major and the Minor
Vertigo
occupation art director
workedOn film "Breakfast at Tiffany's"
surface form: Breakfast at Tiffany's

Holiday Inn
Love with the Proper Stranger
Road to Morocco
Road to Zanzibar
The Country Girl
The Major and the Minor
Vertigo

How these facts were elicited

Referenced by (4)

Full triples — surface form annotated when it differs from this entity's canonical label.

Cleopatra (1934 film) artDirectionBy Roland Anderson
Reap the Wild Wind artDirectionBy Roland Anderson
Cleopatra artDirectionBy Roland Anderson
subject surface form: Cleopatra (1934 film)
The Big Clock artDirectionBy Roland Anderson