The Visual Story: Creating the Visual Structure of Film, TV and Digital Media
E1254713
UNEXPLORED
The Visual Story: Creating the Visual Structure of Film, TV and Digital Media is a widely used textbook that explains how visual design principles shape storytelling in film, television, and digital media.
All labels observed (1)
| Label | Occurrences |
|---|---|
| The Visual Story: Creating the Visual Structure of Film, TV and Digital Media canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T17181052 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: The Visual Story: Creating the Visual Structure of Film, TV and Digital Media Context triple: [Bruce A. Block, notableWork, The Visual Story: Creating the Visual Structure of Film, TV and Digital Media]
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A.
The Grip of Film
The Grip of Film is a humorous, idiosyncratic film book by British comedian and filmmaker Richard Ayoade, offering a satirical take on cinema and movie culture.
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B.
The World Viewed: Reflections on the Ontology of Film
The World Viewed: Reflections on the Ontology of Film is a seminal philosophical work by Stanley Cavell that explores the nature, aesthetics, and significance of cinema.
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C.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
-
D.
On Film Direction
"On Film Direction" is a seminal theoretical work on the art and technique of filmmaking by Soviet director and film theorist Vsevolod Pudovkin.
-
E.
The Case for Video Art
"The Case for Video Art" is an educational video essay from the PBS Digital Studios series *The Art Assignment* that explores the history, significance, and key concepts of video art as a contemporary artistic medium.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: The Visual Story: Creating the Visual Structure of Film, TV and Digital Media Target entity description: The Visual Story: Creating the Visual Structure of Film, TV and Digital Media is a widely used textbook that explains how visual design principles shape storytelling in film, television, and digital media.
-
A.
The Grip of Film
The Grip of Film is a humorous, idiosyncratic film book by British comedian and filmmaker Richard Ayoade, offering a satirical take on cinema and movie culture.
-
B.
The World Viewed: Reflections on the Ontology of Film
The World Viewed: Reflections on the Ontology of Film is a seminal philosophical work by Stanley Cavell that explores the nature, aesthetics, and significance of cinema.
-
C.
The Film Sense
The Film Sense is a seminal theoretical work by Soviet filmmaker Sergei Eisenstein that explores the principles of film montage and cinematic expression.
-
D.
On Film Direction
"On Film Direction" is a seminal theoretical work on the art and technique of filmmaking by Soviet director and film theorist Vsevolod Pudovkin.
-
E.
The Case for Video Art
"The Case for Video Art" is an educational video essay from the PBS Digital Studios series *The Art Assignment* that explores the history, significance, and key concepts of video art as a contemporary artistic medium.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.
Bruce A. Block
→
notableWork
→
The Visual Story: Creating the Visual Structure of Film, TV and Digital Media
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