Iannis Xenakis electroacoustic works catalogue
E1223231
UNEXPLORED
The Iannis Xenakis electroacoustic works catalogue is a curated listing of the composer’s pioneering electronic and tape-based compositions, documenting and organizing his contributions to electroacoustic music.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Iannis Xenakis electroacoustic works catalogue canonical | 1 |
How this entity was disambiguated
This entity first appeared as the object of triple T16602408 — resolving that mention is where its identity was fixed. The disambiguator weighed these candidate entities and picked the highlighted one (or “None”, minting a new entity). This is how homonymy is resolved: the same surface form can point to different entities.
NED1
Entity disambiguation (via context triple)
gpt-5-mini-2025-08-07
Target entity: Iannis Xenakis electroacoustic works catalogue Context triple: [Bohor, includedIn, Iannis Xenakis electroacoustic works catalogue]
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A.
Structures (Boulez)
Structures (Boulez) is a seminal series of piano pieces by Pierre Boulez that exemplify integral serialism and rigorous avant-garde compositional techniques of the mid-20th century.
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B.
Experimental Music: Cage and Beyond
Experimental Music: Cage and Beyond is a seminal musicological study that surveys and analyzes the development of experimental music in the 20th century, with particular emphasis on the influence of John Cage and his successors.
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C.
Some Aspects of Twelve-Tone Composition
"Some Aspects of Twelve-Tone Composition" is a seminal theoretical essay by Milton Babbitt that rigorously analyzes and systematizes twelve-tone compositional techniques within a post-tonal framework.
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D.
Olivier Messiaen’s Mode de valeurs et d’intensités
Olivier Messiaen’s Mode de valeurs et d’intensités is a pioneering post-tonal piano piece that systematically organizes pitch, duration, dynamics, and articulation into fixed “modes,” profoundly influencing integral serialism and mid-20th-century avant-garde music.
-
E.
Twelve-Tone Invariants as Compositional Determinants
"Twelve-Tone Invariants as Compositional Determinants" is a seminal theoretical essay by Milton Babbitt that rigorously analyzes how invariant pitch-class relationships can structure and generate twelve-tone musical compositions.
- F. None of above. chosen
- G. Unsure - the case is ambiguous/there is not enough information to decide.
NED2
Entity disambiguation (via description)
gpt-5-mini-2025-08-07
Target entity: Iannis Xenakis electroacoustic works catalogue Target entity description: The Iannis Xenakis electroacoustic works catalogue is a curated listing of the composer’s pioneering electronic and tape-based compositions, documenting and organizing his contributions to electroacoustic music.
-
A.
Structures (Boulez)
Structures (Boulez) is a seminal series of piano pieces by Pierre Boulez that exemplify integral serialism and rigorous avant-garde compositional techniques of the mid-20th century.
-
B.
Experimental Music: Cage and Beyond
Experimental Music: Cage and Beyond is a seminal musicological study that surveys and analyzes the development of experimental music in the 20th century, with particular emphasis on the influence of John Cage and his successors.
-
C.
Some Aspects of Twelve-Tone Composition
"Some Aspects of Twelve-Tone Composition" is a seminal theoretical essay by Milton Babbitt that rigorously analyzes and systematizes twelve-tone compositional techniques within a post-tonal framework.
-
D.
Olivier Messiaen’s Mode de valeurs et d’intensités
Olivier Messiaen’s Mode de valeurs et d’intensités is a pioneering post-tonal piano piece that systematically organizes pitch, duration, dynamics, and articulation into fixed “modes,” profoundly influencing integral serialism and mid-20th-century avant-garde music.
-
E.
Twelve-Tone Invariants as Compositional Determinants
"Twelve-Tone Invariants as Compositional Determinants" is a seminal theoretical essay by Milton Babbitt that rigorously analyzes how invariant pitch-class relationships can structure and generate twelve-tone musical compositions.
- F. None of above. chosen
Referenced by (1)
Full triples — surface form annotated when it differs from this entity's canonical label.