Cloisonnism
E11991
Cloisonnism is a late 19th-century French painting style characterized by bold, flat areas of color separated by dark contours, associated with artists like Émile Bernard and Paul Gauguin.
All labels observed (1)
| Label | Occurrences |
|---|---|
| Cloisonnism canonical | 26 |
Statements (48)
| Predicate | Object |
|---|---|
| instanceOf |
art movement
ⓘ
painting style ⓘ |
| aimsTo |
emphasize emotional expression through color
ⓘ
simplify forms to essential outlines ⓘ |
| artForm | painting ⓘ |
| artPeriod | late 19th century ⓘ |
| countryOfOrigin | France ⓘ |
| hasCharacteristic |
bold areas of flat color
ⓘ
clear separation of color zones ⓘ dark contours ⓘ emphasis on decorative surface ⓘ reduction of modeling and shading ⓘ simplified forms ⓘ strong color contrasts ⓘ |
| hasNotableWork |
Avenue de Clichy, Five O’Clock in the Evening
ⓘ
Breton Women in the Meadow ⓘ Vision After the Sermon ⓘ |
| inception | late 19th century ⓘ |
| influenced |
Les Nabis
ⓘ
Post-Impressionism ⓘ Symbolism ⓘ Synthetism ⓘ |
| influencedBy |
Japanese prints
ⓘ
cloisonné enamel ⓘ medieval stained glass ⓘ synthetic use of color ⓘ |
| locationOfActivity |
Paris
ⓘ
Pont-Aven School ⓘ
surface form:
Pont-Aven
|
| movementParticipant |
Charles Laval
ⓘ
Georges Lacombe ⓘ Louis Anquetin ⓘ Paul Gauguin ⓘ Paul Sérusier ⓘ Émile Bernard ⓘ |
| nameDerivedFrom | cloisonné enamel technique ⓘ |
| opposedTo |
Impressionism
ⓘ
naturalistic representation ⓘ |
| partOf | Post-Impressionism ⓘ |
| relatedTo |
Pont-Aven School
ⓘ
Synthetism ⓘ |
| typicalSubjectMatter |
Breton scenes
ⓘ
figural compositions ⓘ landscapes ⓘ religious themes ⓘ |
| usesTechnique |
flat application of paint
ⓘ
heavy contour lines ⓘ large uniform color fields ⓘ limited perspective depth ⓘ |
Referenced by (26)
Full triples — surface form annotated when it differs from this entity's canonical label.